Articles

This here’s a mighty fine tribute to the legendary John Hartford. It is arranged and played by Chris Coole on banjo and John Showman on fiddle. The Canadian duo have picked twelve of their favorite Hartford tunes spanning over thirty years of his career, including cuts from Hartford’s Mark Twang, Aereo-Plain and Good Old Boys…

Presides Over One of the Most Important Two-Week Spans in Bluegrass History The rise of Billy Strings has been an amazing thing to watch. While playing a combination of open-minded, progressive roots music next to straight-ahead bluegrass, he has garnered a following that boggles the mind. Several years ago, Strings began to sell out the…

Photos By Chris A. Courogen Paul Beard hasn’t always made squareneck resonator guitars. It just sort of seems that way to him after almost 40 years doing it.  “I’ve been doing this for so long,” says Beard, who built his first one in 1985, after a peak at the insides of the second hand OMI…

East Kentucky-born Carl Bentley grew up singing in church in and around his hometown of McDowell. At age 10, he was given a Ralph Stanley album featuring Keith Whitley by his father, who was also a musician.  That was all it took. To this day, Bentley still wears the Stanley-Whitley influence, and wears it well….

At a recent concert, after her sound check, bluegrass veteran Murphy Henry heard music over the house speakers that stopped her in her tracks. Bewildered, she was hearing one of her original songs being sung by the Queen of Bluegrass Rhonda Vincent. Running through her mental bluegrass database, there was no notion found anywhere in…

Reprinted from Bluegrass Unlimited Magazine November 1982, Volume 17, Number 5 Norman Blake is as close to being a “star” as a musician can get in the field of old-time acoustic music. With the aid of a single-minded sense of where he wanted his music to go; and of dedicated hard work that would satisfy…