Articles

If you take an ailing bass fiddle into Bob Beerman’s shop for repairs, you feel as if you are entering an operating room. The instrument is gently laid upon a table in the back room then one employee examines the patient while another hovers with a clipboard jotting down its diagnosis. Beerman is the veteran…

As John Mayall’s Bluesbreakers were to British rock guitar, Muddy Waters was to electric blues, and Miles Davis was to modern Jazz, West Virginia’s Lonesome Pine Fiddlers (LPF) were to bluegrass music. The group was a training ground, a triple A ball team if you will, for a genre that has grown exponentially since its beginnings…

by Molly Tuttle and Melody Walker “It’s about embracing what makes us unique,” said Molly Tuttle of her hit song, “Crooked Tree,” which, among other accolades, is this year’s winner by a large margin in the Bluegrass Unlimited Reader’s Poll (Favorite New Song Category).  Cowritten by Tuttle and Melody Walker (Front Country), “Crooked Tree” is the…

And the Free-Strings Curriculum Several weeks ago I received a press release from Turnberry Records announcing their launch of a new “Education Division.”  The release explained that the first launch of the new division was called “Free Strings—Join The Jam.”  They stated that in initiating this curriculum they were partnering with fiddler Annie Savage, veteran performer…

Reprinted from Bluegrass Unlimited Magazine March 1982, Volume 16, Number 9 They call him “The Old Man of the Mountains.” At the spry age of forty-two, that makes Raymond Fairchild a rather youthful “old man.” No matter. The mountains can age you before your time and Raymond has lived far enough back in the Smoky…

Reprinted from Bluegrass Unlimited Magazine June 1984, Volume 18, Number 12 Good as Gold and fine as diamonds, worth its weight in waiting for …” The sounds that ring through the capacity-filled hall are familiar to the cheering fans. The sounds have been produced, recorded, and enjoyed for over 26 years. There have been several…