Articles

Not much time passes before there’s a fresh musical salute to one or another of bluegrass’s founding figures. These tributes not only strengthen and reaffirm bluegrass’s crucial links to its past, they also seem to provide a subtle moral compass in terms of reinforcing the music’s integrity with each new generation of musicians. Along those…

Published by MOC Press Mark O’Connor has written an emotional detailed account of his experience as a child musician. He first started on guitar as a six year old and began learning fiddle at age eleven.  He was a quick learner and at age twelve he won first place in the Junior Division at The…

Bluegrass Unlimited first conducted a Reader’s Poll in 1967, the year after the magazine was established.  A second poll was conducted in 1971.  I asked Dick Spottswood, who was working for the magazine in those days, if he knew why the Reader’s Poll was not continued.  He replied, “In 1967 we were still trying to…

Originally from New York, Alex Graf picked up the guitar at the age of twelve and over the following years had immersed himself studying jazz by such greats as John Coltrane, Thelonious Monk, and Charlie Parker. Moving to Colorado in 2017, he discovered there was also a home for him in bluegrass music, becoming influenced…

Kristin Scott Benson, long-time banjo player for The Grascals and five-time winner of the IBMA’s “Banjo Player of the Year” award, and Wayne Benson, long-time mandolin player for Russell Moore and IIIrd Tyme Out, have been married 22 years. Yet this is their very first album-length collaboration. To the Bensons’ credit, this is not a…

Reprinted from Bluegrass Unlimited Magazine November 1982, Volume 17, Number 5 Norman Blake is as close to being a “star” as a musician can get in the field of old-time acoustic music. With the aid of a single-minded sense of where he wanted his music to go; and of dedicated hard work that would satisfy…