Search Results: Bill Emerson

Alan Munde Rises Above Convention with New Record “Excelsior” When Alan Munde was thinking of a name for his new collection of fifteen tunes building on his long-standing penchant for harmonic adventurousness and embrace of the melodic banjo style, he lit on one word: Excelsior. It’s a direct nod to a short Henry Wadsworth Longfellow…

Photo by  Scott Simontacchi One of the most innovative musicians and gifted producers of his generation, Jerry Douglas is at the point in his career of fifty years when he can do whatever he wants. A fifteen-time Grammy winner and the ten-time recipient of IBMA’s “Dobro Player of the Year” award, Douglas—along with Josh Graves,…

Reprinted from Bluegrass Unlimited Magazine March 1972, Volume 6, Number 9 In the early years of bluegrass the mandolin was frequently overshadowed by both fiddle and banjo. Bill Monroe is by no means the only one who took up the mandolin because it was the only instrument not already spoken for by his musician friends….

Photo by Brad Holbrooks Baseball has a player dubbed utility infielder.  Such athletes are typically substitute players who can be used at more than one infield position and are useful members of a roster as they allow a manager to replace several different players on the team to either give them a rest, or because…

Reprinted from Bluegrass Unlimited Magazine June 1984, Volume 18, Number 12 Good as Gold and fine as diamonds, worth its weight in waiting for …” The sounds that ring through the capacity-filled hall are familiar to the cheering fans. The sounds have been produced, recorded, and enjoyed for over 26 years. There have been several…

Reprinted from Bluegrass Unlimited Magazine January 1986, Volume 20, Number 7  He’s rarely played in public over the past two decades, and he’s not on many records, but Porter Church remains among the most eloquent of five-string banjo players. I may as well say it: in my opinion, when it comes to “golden era” bluegrass…