Skip to content
Register |
Lost your password?
Subscribe
logo
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Tracks
  • The Archives
  • Log in to Your Account
  • Contact
  • Subscribe
  • Search
  • Login
  • Contact
Search
  • Magazine
    • Current Issue
    • Past Issues
    • Festival Guide
    • Talent Directory
    • Workshops/Camps
    • Our History
    • Staff
    • Advertise
    • Contact
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Track
  • The Archives

Home > Articles > Reviews > THE WILDMANS

RR-The-Wildmans

THE WILDMANS

Bluegrass Unlimited|Posted on March 1, 2018|Reviews|No Comments
FacebookTweetEmailPrint

The-WildmansTHE WILDMANS
WANDERING THOUGHTS

Patuxent Music
CD 302

Enter the young brother and sister duo, Eli and Aila Wildman. Their talent is without question. It shines through on their debut recording throughout a selection of eight standards in thirteen tracks. Both Eli, who plays some exceptionally clean and attacking mandolin, and Aila, who displays an equally adept prowess on the fiddle, have raced ahead to levels of proficiency only seen in the top players of thirty to forty years ago. However, there are many playing on this level right now, and the real question is does the music here entertain?

Predominantly yes, with about half being standouts and the rest are solid. Each player has their moments. Eli is at his best on “Wheel Hoss,” one of three tunes associated with Bill Monroe, though Monroe didn’t play it in this modern style. His original instrumental “Timeless” is also pretty good, based around a repeating figure that is quite propulsive and hypnotic. He does have a rather thin tone and does overdo the double-time passages, particularly on “Grey Eagle,” but those don’t detract much.

Aila is at her best when she takes the lead on “Bluegrass In The Backwoods” with great command and presence. She’s very good throughout the recording, but this is her most impressive. She also sings on three tunes and while quite developed vocally for her age, does betray some youth in over-singing a bit. The slow country weeper “It Takes One To Know One” is by far the best, though “Darlin’ Corey” has some nice energy.

Joining The Wildmans on the project are banjoist Victor Furtado, guitarist Danny Knicely, and bassist Mark Schatz. (Patuxent Music, P.O. Box 572, Rockville, MD 20848, www.pxrec.com.)BW

FacebookTweetEmailPrint
Share this article
Facebook
Twitter
Linkedin

Leave a Comment Cancel Reply





This site uses Akismet to reduce spam. Learn how your comment data is processed.

March 2023

Flipbook

logo
A Publication of the Bluegrass Music Hall of Fame & Museum / Owensboro, KY
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Survey
  • New Releases
  • Online
  • Directories
  • Archives
  • About
  • Our History
  • Staff
  • Advertise
  • Contact
  • Subscriptions
Connect With Us
Facebook
Instagram
Twitter
YouTube
bluegrasshalloffame
tannerpublishing
tannerwest
Subscribe
Give as a Gift
Send a Story Idea

Copyright © 2023 Tanner Publishing Co. All Rights Reserved. Privacy Policy
Website by Tanner+West

Subscribe For Full Access

Digital Magazines are available to paid subscribers only. Subscribe now or log in for access.

Share this ArticleLike this article? Email it to a friend!

Email sent!