Skip to content
Register |
Lost your password?
Subscribe
logo
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Tracks
  • The Archives
  • Log in to Your Account
  • Contact
  • Subscribe
  • Search
  • Login
  • Contact
Search
  • Magazine
    • Current Issue
    • Past Issues
    • Festival Guide
    • Talent Directory
    • Workshops/Camps
    • Our History
    • Staff
    • Advertise
    • Contact
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Track
  • The Archives

Home > Articles > Reviews > Banjo Player’s Blue

Album Cover

Banjo Player’s Blue

Michael K. Brantley|Posted on January 1, 2021|Reviews|No Comments
FacebookTweetPrint

High Fidelity

Rebel Records

REB-CD-1874

High Fidelity might be a fresh-faced looking group of young pickers and singers, but make no mistake — their sound is vintage bluegrass. 

Banjo Player’s Blues, their third album, hits the mark with band’s title track hit, an old tune by Charlie Monroe. A close ear will note one variation: instead of Banjo Joe the song mentions Banjo Jer, a nod to the group’s five-stringer.

But this CD is stacked with plenty more that fans of the sound from the 1950s and 60s will enjoy.

As expected, based on the title and the band’s influences, this work is banjo-centric. There are three songs with twin banjos, including the 1955 Arthur Smith/Don Reno classic, “Feudin’ Banjos.” Kurt Stephenson picks the five-string while Jeremy Stephens handles the tenor banjo.

Jesse McReynolds, who cut “Tears of Regret” with his brother Jim in 1955, returns to join High Fidelity on their version. Shades of the Country Gentlemen show through on “Helen.”

Banjo Player’s Blues also includes gospel numbers and takes on jam session standards such as “Turkey in the Straw” and “Southbound Train.” 

Rounding out the band with Stephens (guitar/banjo/piano/vocals) and Stephenson (banjo/guitar/vocals) are Corrina Rose Logston (fiddle/guitar/vocals), Daniel Amick (mandolin/guitar/vocals) and Vickie Vaughn (upright bass/vocals).

www.highfidelitybluegrass.com

www.rebelrecords.com

FacebookTweetPrint
Share this article
Facebook
X (Twitter)
Linkedin

Leave a Comment Cancel Reply





This site uses Akismet to reduce spam. Learn how your comment data is processed.

January 2021

Bluegrass Unlimited Cover January 2021

Flipbook

logo
A Publication of the Bluegrass Music Hall of Fame & Museum / Owensboro, KY
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Survey
  • New Releases
  • Online
  • Directories
  • Archives
  • About
  • Our History
  • Staff
  • Advertise
  • Contact
  • Subscriptions
Connect With Us
Facebook
Instagram
Twitter
YouTube
bluegrasshalloffame
tannerpublishing
tannerwest
Subscribe
Give as a Gift
Send a Story Idea

Copyright © 2025 Tanner Publishing Co. All Rights Reserved. Privacy Policy
Website by Tanner+West

Subscribe For Full Access

Digital Magazines are available to paid subscribers only. Subscribe now or log in for access.