The Tradition

Photos and article by Jim Carrier Long after Jim Rooney is gone, the sounds of bluegrass that he recorded will remind us of the beauty of acoustic stringed instruments played with taste and subtlety.   Not famous as a performer — although he was one, certainly — Rooney’s lasting contribution to bluegrass music is embedded…

Hartford is 24 Years Gone, Yet His Music and Personality Still Influences New Generations I got to know John Hartford a little bit through the sheer luck of geography.  As a native of Huntington, West Virginia, located on the banks of the mighty Ohio River, my family would eventually move to Cincinnati when I was…

The John Hartford Fiddle Tune Project, Volume 2Julia Belle: The John Hartford Fiddle Tune Project, Volume 2 One of the many reasons why John Hartford is on the cover of this issue of Bluegrass Unlimited is that in January 2025 there are two very special events that coincide with this John Hartford cover.  The first…

Q – I have a question for you about Don Reno’s two cousins “Chuck” and “Jay” Haney. Are they still living? If not, any idea when they passed away? Apparently, there’s not much mentioned about them in bluegrass, at least not that I’m aware of . . . besides being on the early recordings of…

Q – What can you tell us about “Those Two Mirthquakes of Fun” called Shufly and Buckeye Sneezleweed who appeared with Bill Monroe at several shows in 1949? Joe Ross, Roseburg, Oregon. A – An advertisement for an October 21, 1948, show by Bill Monroe in West Helena, Arkansas, revealed Buckeye Sneezleweed to be Mac…

The story of one of America’s greatest bluegrass bands begins in Maine in the French-speaking home of Eric and Mildred LeBlanc. The LeBlanc family was of French-Canadian stock from New Brunswick, Canada, and they were a musical lot. Three of the LeBlanc sons were especially musical. Sometime around 1950, the family began using the Anglicized…