The Archives

Reprinted from Bluegrass Unlimited Magazine June 1984, Volume 18, Number 12 Good as Gold and fine as diamonds, worth its weight in waiting for …” The sounds that ring through the capacity-filled hall are familiar to the cheering fans. The sounds have been produced, recorded, and enjoyed for over 26 years. There have been several…

Reprinted from Bluegrass Unlimited Magazine January 1986, Volume 20, Number 7  He’s rarely played in public over the past two decades, and he’s not on many records, but Porter Church remains among the most eloquent of five-string banjo players. I may as well say it: in my opinion, when it comes to “golden era” bluegrass…

Reprinted from Bluegrass Unlimited Magazine January 1980, Volume 14, Number 7 The family band is a noble, long-standing tradition in bluegrass and traditional country music, extending back even further than the Carter Family, quite possibly as far back as the beginning of the string band itself. Today, the family unit is as strong as ever…

Reprinted from Bluegrass Unlimited Magazine November 1982, Volume 17, Number 5 Norman Blake is as close to being a “star” as a musician can get in the field of old-time acoustic music. With the aid of a single-minded sense of where he wanted his music to go; and of dedicated hard work that would satisfy…

Reprinted from Bluegrass Unlimited Magazine April 1973, Volume 7, Number 10 Rual Yarbrough and the Dixiemen have had a long and very successful career. The group has included some of the finest musicians and undoubtly some of the nicest people in bluegrass music today. Rual Yarbrough was born Jan. 13, 1930 in Lawrence County (south…

Reprinted from Bluegrass Unlimited Magazine July 1982, Volume 17, Number 1  He is popular with the people. He will talk to them for hours.” A bluegrass festival promoter is speaking. “He has alot of friends,” comments a popular bluegrass musician. “He’s a very versatile musician. He plays more instruments than most people know about.” So…