Williamson Branch
Here’s to the next 10 years!
Williamson Branch, a family bluegrass band featuring parents Kevin and Debbie Williamson with daughters, Melody Williamson Keyes, Kadence Williamson Reynolds, and Caroline Williamson, celebrated 10 years of performing in 2024. With six albums and a Christmas DVD under their belts, a 2020 “Best Vocalist” IBMA Momentum Award for Melody, 475,000 Facebook fans, and an induction into the West Virginia Country Music Hall of Fame for Kevin and Debbie in 2023, the band appears to be gathering new momentum. Fans can expect a second spectacular decade with exciting new music and many adventures ahead.
Most family bands tend to have a “shelf life” that lasts until the children grow up, get married, perhaps have children of their own, and come to the point of pursuing their own life goals as individuals. Melody married Blue Ridge Sound engineer Geoffrey Keyes in 2021, and they are expecting a son in 2025. Kadence married Zion Reynolds in October, 2023. How has Williamson Branch managed to stay together for the first 10 years, not only surviving, but thriving? “Music is really a part of who we are—not only individually, but as a family,” Kevin Williamson said.
“It’s a calling for us,” Debbie Williamson added. “It’s a part of the fabric of our family. Every once in a while we’ll come to a crossroads; I guess everybody wrestles with that from time to time. But the fact that we are going to be involved in music and that it’s a calling for us is never a question.”
Williamson Branch works because individual band member dreams and plans are synonymous with family band dreams and plans. It’s that simple. “From the time that the girls were very young, I’ve known that our purpose was to glorify the Lord with music,” Kevin said. “That doesn’t mean we only sing gospel music or that we are restricted to playing only at churches. It doesn’t mean any of that. All it means is that’s who we are.”
Originally from Kenova, West Virginia, Kevin Williamson worked with Dave Evans, Redwing, and Glen Duncan and Phoenix before striking out on his own in 1992. As a teenager he played guitar and sang with his father, the late Jerry Williamson, in Redwing, a popular band on the bluegrass festival circuit in the late 1980s – early ‘90s. Jerry previously fronted The Outdoor Plumbing Company, and he also owned a successful live sound engineering company.
Kevin released his first solo album, Write Between the Lines, on the Pinecastle label in 1993, followed by a 1995 CD from his band, Shadow Ridge, titled Out of the Shadows (Pinecastle). Debbie and Kevin married in 1991, and she added vocals to the band they led together while finishing up a college degree. Debbie’s first recording was Weeping Willow Blues, released on the Mid-Knight label in 1997. (Stop reading now and find a YouTube recording of Debbie Williamson singing “I Just Steal Away and Pray,” with the family’s cascading vocal harmony backing her up. It’s breath-taking.)
In 2010 when their daughters were still young, Kevin created a solo musical act for children under the name, “Kevin Kidd.” He played bass with the Country Gentlemen in 2011, and in 2012-13 he was a member of The Farm Hands Bluegrass Quartet.
The first two Williamson Branch albums were released in 2014 and 2015 on the Enrichertainment label: ‘Tis So Sweet, and Branchin’ Out. Their debut release as a family band on the Pinecastle label came in 2018 and was named Free, after the title cut written by Melody. Classy. Sassy. Bluegrassy. was released in 2019, followed by Heritage & Hope in 2021, and Very Merry Christmas in 2022.
“Working with Williamson Branch has been an incredible experience for all of us at Pinecastle Records,” said Kyle Watson. “Since their debut album with us in 2018, we’ve been impressed by their growth and the devoted fanbase they’ve built. Their tens of millions of views show just how far they’ve come, and it’s been very rewarding to see their hard work pay off. What makes them even more special is how easy they are to collaborate with. They make everything smoother for our team. Watching their rise on social media over the past four years has been inspiring, and we’re all excited to continue this journey together. I know I speak for everyone when I say the sky’s the limit for them!”
The band’s spring 2024 single and video, “Southern Nights,” included special guest Carl Jackson on banjo. “When Melody asked me to do it, I was more than happy to,” Jackson said. “There’s something kind of special about playing on the original version with Glen [Campbell] and then being a part of a new bluegrass version… I’m glad they realized it was me!” he laughed.
“‘Southern Nights’ was a number one record in 1977,” Carl recalled. “I can remember when Glen first discovered the song, written by Allen Toussaint, and we rehearsed it at Harrah’s in Lake Tahoe. Glen decided to add the Jerry Reed counter-point ‘lick’ on the end of the intro, and a few weeks down the road you couldn’t turn on the radio without hearing it. Williamson Branch is another of the fine young bluegrass groups that I wish nothing but success. I hope in some small way I have contributed to helping them realize their dreams.”
Melody said they picked out “Southern Nights” for their set in the beginning of 2023, and the sisters immediately found the harmony parts. “It just sprang to life for us,” she said. “It was so cool to have Carl Jackson on it. We also made a music video that’s a salute to the ‘70s, because of the Glen Campbell vibe. It’s the closest thing you can get to a hippie dream if it was done by a bluegrass family band!” Band members are dressed up in their bell bottoms, fringed vests, headbands, and puka shells. “Dad borrowed an Ovation guitar, our friends at Lindley Creek Creative helped with the production, and we’re really excited about the video,” Melody said.
Backtracking to 2014 and dreams, Debbie said, “There came a point where Kevin was on the road with The Farm Hands quartet. They were doing really well. They had just won the SPBGMA Album of the Year award, and Kevin was nominated for Entertainer of the Year. But he felt like the Lord was calling him to no longer be on the road with someone else and leave his family at home, but rather to be on the road with his family. It was a big decision. That’s what we mean by ‘calling,’” she elaborated. “We came to that decision through Kevin’s prayer time. We believe that God was calling us to play music together, and we’ve seen God honor that in a mighty way.”
Eldest daughter Melody Williamson Keyes said the band is “stronger together than we are apart. I’ve done this since I was a kid,” she said. “For a lot of bands, it’s a case where the kids started playing, and then the parents came along behind them. Or the parents were playing, and then the kids had to come along and play—and maybe there was not a lot of autonomy or personal choice. In the earlier years I was always encouraged to play fiddle and stick with it, but it was never expected. We always knew that we were going to be loved and appreciated and respected whether we played or not. Our place in the family was not and is not determined by our place in the band. That’s a big thing for us,” she emphasized.
A couple of years ago Melody began getting questions from friends, industry professionals, fans, and even extended family members about when she was going to start her own band. “Every time I would get that question, I would get so angry,” she said, “and I thought, ‘Why am I getting so upset about this?’ Then I finally realized, ‘You know what? I think that was a confirmation.’ This is where I’m supposed to be and what I’m supposed to be doing. And more than that, this is what I want to do, to continue with this band in this configuration. I love what we’re doing. While we do strive to do bigger and better things and make waves within the industry, the reason is the calling, and it’s what we want to do. I believe in what we’re doing together.”
“This is what we believe in and enjoy,” Kadence Williamson Reynolds agreed. “It’s a partnership not only by choice, but also financially and on the tax forms. We’re all in.”
Each family member has a role in the business, Kadence said. “Dad does all of our booking, and he also drives and makes sure the bus is maintained. He writes contracts and itineraries. Mom is in charge of merchandise sales on the road and from home. She also makes sure that we’re all fed on the bus all the time. Melody is in charge of all of our social media, and she also writes all of our set lists and puts together most of our new music. She heads up a lot of our practices and schedules band meetings and rehearsals, and she’s the front person and emcee.”
Kadence, a bass virtuoso featured on the cover of Bass Musician magazine in July, 2019, is in charge of wardrobe. “I make sure everybody has pretty things to wear that match. And they don’t match; they coordinate,” she explained, “because the ‘matching’ stopped long ago! I take care of the laundry for the bus. I do sheets and dry cleaning, and I take care of everything that needs to come home and be done. I’m also the secretary for the meetings, and I make sure everyone stays on task.”
It’s rather impressive to see Kadence walking around on four-inch-plus heels, hauling a bass amp on a gravel road leading to a festival stage. Is this her choice? “Oh yeah,” she said, “a hundred per cent!” “We always say that Dad wears the pants in the family, and Kadence wears the heels,” Melody laughed.
“I play the mandolin and I’m the show stealer,” Caroline added, smiling, “so I’ve got a lot riding on me! I’m also still in school, so right now it’s my job in the band to make sure that I graduate from high school!”
All three sisters have been home schooled. “We couldn’t do what we do if I had to be home so many days of the year to go to school,” Caroline said. “Dad is fond of calling it ‘bus schooling.’ It’s home schooling on wheels! I’m also the video editor. Melody is in charge of our social media, but I do a lot of the videos. I take a bunch of pictures and videos on our trips, and then I edit them all together.”
One of the things about Williamson Branch that makes them a little different from the average family bluegrass band is that they are followed by 475,000 fans on Facebook, and they have had more than 100 million video views during the past two years.
The COVID-19 pandemic was a serious challenge for all touring bands. “In March 2020 we were due to go on a cruise,” Debbie recalled. “We were in Florida at the Withlacoochee festival. The next day we were supposed to get on a ship and sail for a week, and that was the night they shut everything down. So they canceled the cruise. We weren’t sure what we’re going to do because the other gigs we had lined up after the cruise were not cancelled yet. God provided a way for us to stay in Florida for a week, but then the other gigs were cancelled, as well. Everything was closing down at that point. We got home and needed to go to the store. Kevin and I went back to the meat section of a major store chain, and there was literally nothing at all to buy. We looked at each other and said, ‘We’ve got to go online.’ The Holy Spirit just downloaded the idea to us. People were scared and they needed hope and encouragement, and so that’s what we proposed to do. We got home and put our heads together, and we went online on Facebook every single day for three and a half months. We would sing a couple of traditional hymns, and then Kevin would give a word directly from the Bible—something short and encouraging. Then we would take prayer requests live, online.”
At the beginning of the pandemic Williamson Branch’s Facebook page had around 45,000 followers, primarily due to the success of their “I’ll Fly Away” video. “It stayed at 45,000 for a couple of years,” Kevin said. “So in 2020 we did some short videos in mid-March, and by Palm Sunday, the Sunday before Easter, our Sunday video exploded with 15 million views. The Easter worship video was also huge. From then on, the page just exploded.”
“We eventually ended up with 100,000 to 200,000 Facebook followers,” Debbie said, and since then the page has grown. Now we have 475,000 followers. We had more than 100 million views in two years. We have a YouTube channel too, but it’s not as active. At the time we didn’t have the internet capability at our house to be able to support doing both. Eventually we integrated that in, but our ministry was clearly on Facebook.”
This kind of global outreach for a five-piece family bluegrass band based in Murfreesboro, Tennessee is astounding. “Oh, God did it,” Debbie said. “We weren’t going into that thinking about how we needed to find a way to make a living and needed to expand our fan base. None of those things were a factor, at all. We were just obeying the call that we felt like God put on our hearts. We knew that it was a difficult time, we knew people needed encouragement, and God used it. We started out with a cell phone camera in the living room, and God used it to bring people to him.”
“God provided for us as well,” Melody said. “He expanded our fan base, but he also provided by having people donate to and bless us. They bought our merch, and we were able to stay home during that time and do the videos. He sustained us.”
They weren’t alone. The Isaacs gathered in Sonya’s back yard regularly throughout the pandemic and sang bluegrass gospel songs live for their fans on Facebook. Both Sam Bush and Jerry Douglas hosted weekly living room performances with special guests. (Jerry said his neighbors in Nashville knew not to run their lawn mowers at a certain time during the week.) The Kruger Brothers performed for their fans regularly, and Bela Fleck and Abigail Washburn presented some pretty creative performances with their sons from the basement.
Some new ideas are in the works, Melody said. “We’re looking at doing some live content on Facebook or YouTube, or both,” she said. “We’ve talked about doing something like a news show where we’re doing some music, but also having some fun showcasing the husbands and the banjo player. We’re looking for ways to get creative. One of the things about the live videos everybody really liked was when we were bantering with each other, and that’s a lot harder to capture now that we’re all living in different places and phases in life. It might be a bluegrass history series that could catch the attention of a broader audience who might not know much about bluegrass. One thing about doing the videos during the pandemic was that we picked up a lot of fans who were new to bluegrass.”
Williamson Branch hosted a bluegrass cruise in the fall of 2024, sailing out of Tampa to Key West and Montego Bay, Jamaica. “We were super excited because this was the first time we had hosted a cruise,” Kadence said. “We went on a cruise with Dad and the Farm Hands when Caroline was seven, and then we almost played on another cruise in 2020. Our whole families came, and it was a celebration of our 10-year anniversary as a band. We planned a couple of concerts, a jam with everybody, and a songwriter’s night so folks could hear original material that we may never do with Williamson Branch. We’ve got plenty of writers in the band! One of the stops was an island in the Caribbean called Grand Cayman that my mom’s family is from. We are related to half the people who live there, so it was fun to go ashore and talk about that, and to let our fans experience some of our heritage, as well.”
The knowledge that the band truly was bigger than the sum of their parts hit during the pandemic videos, Debbie said. “We realized, ‘There’s something happening here. There’s something significant in the fact that we’re doing this all together as a family.’”
“I think where the rubber is going to meet the road, is when people finally start to pick up on the fact that there are not only five individual people involved in this band, but there are five individual talents,” Melody said. “There are five really strong singers; there are five amazing musicians. It’s a unit, and as long as it stays a unit, it’s going to be something that is stronger together. I’ve seen so many family bands where the oldest sibling leaves the group, and then the eye of the industry follows where that oldest one goes, and they’re not paying attention to what the younger ones are doing anymore. I didn’t want to contribute to that. And also, I want everybody to know that I believe in my siblings and my parents as much as I believe in myself. We’re not out for individual gain. We’re out to be a team, and we see the value of being a team.”
Another unique thing about the Williamson Branch show is how joyful they are onstage. There’s singing in various harmony configurations, there’s dancing, there’s humor, there’s audience participation, and a whole lot of joyful exuberance. They are extremely entertaining. One audience member at the end of a Williamson Branch set at a recent festival in Mocksville, North Carolina, said, “Well, that was worth the entire price of my festival ticket.”
“Music should bring joy to the audience and not feel canned,” Melody pointed out. “The most important thing is the way people feel when they walk away from your concerts. If you don’t elicit good feelings from your audience, then you’re not going to be around for very long. We enjoy playing together. Every time. There can be some drudgery when we’re on the road. It’s a job, and we set up and tear down, and all the other things. But when we hit the stage, it’s fun! Whether it’s the interaction between the members of the family or with someone in the audience, or just the themes of the songs, we try to keep things relatively positive,” Melody said. “Even when things are introspective and the music makes people dig deeper, I still hope they’re walking away from the experience, as a whole, feeling joyful.”
Most members of Williamson Branch have some theatre background, and it shows in their stage show. “When we rehearse, we do put in the effort,” Melody said. “We want the audience to know that we have spent time investing in their ticket. We want to have something [ready to perform] that is ingrained in us. We’re not going to mess it up… although there’s some room for the unexpected. When I tell a joke, I know I’m going to go out into the audience and talk to somebody. And that person could say anything at all!” Which is “both exciting and scary,” Kadence noted.
“Mom and Dad both dabbled ever so slightly in theater,” Melody said. “When Dad was doing the kid shows when we were growing up, he was very much trying to get on their level. He was always helping us to learn how to be bigger and bolder on stage. Mom had Kadence and I in a lot of homeschool theater programs.”
“Dad’s children’s performances were very, very animated,” Kadence said, “so we’ve grown up learning that style of being expressive with what we do on stage and how we interact with the audience and each other.” In fact, Kadence may be the most aerobically energetic bluegrass musician since Sam Bush!
“Melody and I grew up clogging since I was six or seven,” Kadence continued. “We learned how to dance from Cheryl Chunn with the Grand Ole Opry Square Dancers. She and some friends that my Dad grew up playing music with had a little studio in Murfreesboro and in the Nashville area for years. We learned from them, and they were the ones who were teaching Melody to play fiddle. We were in little bands, and then we did contests. We square danced with them, and since then we’ve taught Caroline. We love dancing. Definitely.”
Caroline Williamson started performing professionally with her family at age four, playing a tiny fiddle and belting out the Loretta Lynn number, “You Ain’ Woman Enough to Take My Man,” to the audience’s delight.
“Some things have changed with me onstage because by the time you’re 15, a lot of the ‘little baby girl cute factor’ thing has dwindled down,” Caroline laughed. “At the same time, it’s OK because I’m still the youngest, so I can still be cute and sassy and have the ‘baby of the family’ persona! I can still have the personality of knowing I’m the center of attention,” she joked. “But as I’ve grown up, I don’t want to have just that. I want to continue getting better and growing in my skills.”
In addition to chopping chords and taking occasional leads on the mandolin, Caroline plays a percussion instrument called a Cajon, these days. “It’s a little wooden box and it’s got two snares on the top two corners and a bass drum,” she said. “I love it because it has a really great sound to it. You can do a lot with it, even though it’s just one box and it’s very light and portable.”
The Eastman mandolin she plays was presented to her onstage by Rhonda Vincent, at the First Class Bluegrass Festival in Asheville, North Carolina a few years ago. It was a gift from festival promoter Milton Harkey. Caroline has taken mandolin lessons from “Mr. Alan Bibey,” as she refers to the multiple award-winning mandolinist and band leader.
Melody is a quadruple-threat performer on fiddle, engaging lead vocals, dancing, and emceeing for the band. Middle sister Kadence has a bit deeper, more soulful singing voice, and she’s an absolute hoss on the bass ukulele. Her dad taught her the first few chords, and then she “took over, figuring out how to play by ear,” she said. “Then in 2020 I did a lot of songwriting and I would write on my bass. I took the time—for the first time in my career—to really get to know my instrument and not just play what I played all the time. My capabilities have improved a bit more and I can do a lot of things that are not strictly within the bluegrass genre, which is really fun! My bass is called a U bass, a ukulele bass. It does look like a miniature electric guitar. I grew up playing the U bass that looks like a baritone ukulele, which is strung up like a bass. They are made by the Kala company, and I’m endorsed by them, which is pretty fancy,” she smiled. “They designed the one that looks like a ukulele, and the electric one is just a version of the same thing with a solid body. But it’s got that fifth string, which has been super important, and it’s got a longer scale. You can go up higher on the neck.”
Between Debbie and her three daughters, Williamson Branch has some of the most exciting treble-range harmonies since Alison Krauss met the Cox Family. Kevin’s lower-range singing voice, along with Caroline’s percussion and Kadence’s bass, add a full range balance and texture to the overall band sound. And they always have a good banjo player to keep the drive going, along with Kevin’s guitar. Mason Crone from Crandall, Georgia, joined the band in 2024.
Looking back, what are the high points of their first 10 years? Caroline mentioned “all the places we’ve gone, and all the cool people that we’ve got to meet over the years. And on our Christmas album I got to do a duet with Mr. Jimmy Fortune!”
“We got to do a tour for about two weeks in Grand Cayman back in 2015,” Kadence said. “That really stands out to me. We were the first bluegrass band to tour there, and they did a little news story on us. It was an expensive thing to get to do, but we went because we were a band and we take our job with us wherever we go. We were able to experience our heritage on that beautiful island with all of our beautiful family because we are blessed to get to do what we do. I loved it!”
“I love chasing the weather every year,” Melody said. “I love when it’s cold in Tennessee we can go where it’s warm. And when it’s warm at home, we go where it’s cooler! I love getting to tour up into the Northeast in the summertime where the trees are green, but the humidity is not so high. I love getting to go down south in the wintertime when it’s really cold here. I have also been amazed and blessed by how much the fans have embraced the style of show that we do, and how we’ve had people within our team (the banjo players, especially) who have really embraced the style of show that we do—and not just put up with it, but really enjoyed it.”
“Sometimes there’s unhappiness and unrest,” Debbie said. “Things are not always perfect, but it’s a job so we have to work through things. Overall, it’s just a blessing because I like to have ‘my people’ close,” she smiled. “One of the most special things for me was when Kevin and I were inducted into the West Virginia Country Music Hall of Fame in 2023. It was not something that we pursued, and yet someone else recognized what we have contributed to music all these years and chose us to be a part of that. We feel very strongly about our heritage, and we felt like it was also an honor to Jerry [Williamson] and Kevin’s commitment to his father’s music. Other than that, I love playing the theater shows! I feel like it suits what we do really well, and it’s always exciting. It’s fun to have the lights and sometimes a fog machine, which we had during our Christmas shows. We’ve played theaters at Silver Dollar City and Dollywood, and did our Christmas show at Dollywood in 2023.”
Although they could not have imagined anything good coming out of an international health pandemic, Debbie said they have had so many people come up to the merch table in the four years following 2020 in tears, saying, “If I didn’t have you guys singing to me and talking to us during the pandemic, I don’t know what I would have done. I couldn’t see my family. I was suffering and I couldn’t go out, but every day you guys were there.”
It’s been a humbling experience. “Sometimes it was a challenge to come up with a new song to play every day, and to be sure everyone’s hair was washed,” Debbie said. “We had to learn new songs, and we didn’t want to be playing for 100,000 people and missing chords. It was crazy. Sometimes we were wearing ball caps and singing a song we’d just learned 10 minutes before. We had to decide, ‘OK, do we want this to be perfect, or do we want to keep going here?’ We made the decision to press on and to do it every day. Even after three and a half months, we still kept on two or three times a week. People relied on us, and it made an impact in the community. There are a lot of people that like bluegrass music now that didn’t before. It was special to us because we were bringing people into the fold who wouldn’t necessarily have come to a bluegrass festival. It was such an uncertain time. It is amazing how God can make good things happen out of a terrible situation, you know? Who would think anything positive could come out of a global pandemic when people died from this horrible thing? We had 95% of our gigs canceled that year. It was hard not to be aggravated when people would call up and cancel our bookings, but it ended up being one of our best years ever. And we didn’t leave the house more than 10 times, to travel.”
In the typical family, parents and children are separated for hours each day while they’re at work and at school. Most teenagers enjoy spending increasingly more time away from their folks, as they assert their independence. Home-schooled family bands are a little different. Kevin and Debbie Williamson are enjoying every phase and stage of their daughters’ growing up years, with a front seat chair as they witness their impressive and evolving talents.
“They’re such unique individuals,” Kevin said about his daughters. “They all have very unique voices. And yet when they sing together, it is really magical the way their voices intermingle. It really blesses me. They play well, and they play well together. To see these three strong personalities and three strong voices come together to make one incredible unit is really special to me.”
“The thing I’m most proud of about my girls is their hearts,” Debbie said. “We believe Matthew 5:16 in the Bible that says we’re supposed to shine our light wherever God places us. Music is where God has put us, where God has called us, and it is where he’s gifted us. We’ve seen that borne out, and my girls are always open and looking for opportunities to minister to people when we go out on the road. Their focus is on the Lord and what he is doing through Williamson Branch. Yes, we want the band to be better and bigger, but that’s because it’s our job. Like anybody else’s job, it’s got to grow to provide for us. We need to put our best foot forward and do our best for the Lord. And there’s so much immense pride when the three of them are singing together or playing together.”
The daughters are equally proud of their parents’ example—musical and otherwise, and it’s been an amazing thing to grow up as the youngest twigs on this particular branch of the Williamson family tree. “Mom and Dad’s steadfast faith in the Lord impresses me,” Kadence said. “I have seen them not just ‘go to church’ my whole life, but actually pursue God. Their own spiritual growth still challenges and inspires me and my sisters. To this day, they both try to have a quiet time with the Lord every morning. None of us are perfect in our walk, but they truly want to be with and live for Jesus. I couldn’t be more grateful.”
“In every situation Mom and Dad always make it their first priority to love their family and to take care of our needs,” Caroline said. “I’ve always known their love for me is not measured by my abilities, and there’s grace when I mess up. Whether it’s music, school, relationships, or my walk with God, I know they’ll be there to help me. My parents raised my sisters and me in a way that we can have fun and grow, even in difficult times. They work hard to love well and keep the Lord at the center of everything they do. These qualities are special and rare, and I can only hope that I’ll be able to love half as well as they do, some day.”
Melody said, “I am most proud of my parents for their resilience. The music industry – in any genre – is a tough, competitive, subjective place where people are constantly judging your art. Music is such a part of you, especially when you write. Remaining dedicated to a craft and believing in it no matter what is a legacy I want to pass down to my children and their children. It’s an incredibly special thing to know that for generations, my family will be able to hear what their ancestors’ voices sounded like. My great-great-grandchildren could fall asleep to the lilt of my grandfather’s voice every night.
“My parents have made great sacrifices so that we could have a shot a making a living doing something creative and everlasting,” Melody added. “It’s such a blessing to go through the highs and lows together, and they have made that possible. I am forever grateful.”
The “all for one, and one for all” spirit is very strong among the members of Williamson Branch, and their growing fan base online, as well as at live appearances, is loyal and supportive. In addition to their singing, picking, and dancing skills, there’s something very unique and enduring about this hard-working band. If you don’t feel absolutely entertained and uplifted after witnessing a Williamson Branch set of bluegrass music, you just haven’t been paying attention!
