Skip to content
Register |
Lost your password?
Subscribe
logo
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Tracks
  • The Archives
  • Log in to Your Account
  • Contact
  • Subscribe
  • Search
  • Login
  • Contact
Search
  • Magazine
    • Current Issue
    • Past Issues
    • Festival Guide
    • Talent Directory
    • Workshops/Camps
    • Our History
    • Staff
    • Advertise
    • Contact
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Track
  • The Archives

Home > Articles > Reviews > WENDY MILLER & COUNTRY GRASS

RR-Wendy-Miller

WENDY MILLER & COUNTRY GRASS

Bluegrass Unlimited|Posted on December 1, 2016|Reviews|No Comments
FacebookTweetPrint

Wendy-MillerWENDY MILLER & COUNTRY GRASS

Old Homestead OHS-90226

   They don’t make bluegrass like this much anymore. Great vocals, fine picking rooted deep in the genre, and fiddling worthy of a Western Swing band make this an exemplary album. Wendy Miller played mandolin with Larry Sparks along with Mike Lilly, before he played with J.D. Crowe. The music here is first-rate bluegrass ranging from originals to great old country and bluegrass standards.

The opening cut “Excuse Me” features Lilly’s fine banjo playing complete with quotes from one of his heroes, Don Reno, and sweet fiddling from Evan MacGregor. While Lilly is only on four cuts here, McGregor is all over the project with his fine fiddling. Miller and Lilly close the CD with a number from that old LP, Ramblin’ Bluegrass, they did with Sparks, “Too Much Mountain Dew.” The balance of the banjo work is by Albon Clevenger who proves he has considerable chops, and he shows them off nicely on the old swing gem “Charmaine.” The whole band has fun with that one. Chris Miller, a strong vocalist with a driving guitar, teams with Rick Bartley on bass to form the bedrock of the band sound. Bartley also added three very solid original songs to the project, “When Death Comes Knocking,” “Railroad Man,” and “Country Way Of Living.”

The whole band has fun with “Freight Train Boogie.” They bring back the kind of bluegrass that’s missing today by never stopping what they have always done, presenting a strong program of great material with grace and skill. They may not be front page news to most fans of bluegrass, but this recording should work to change that. Miss hearing this fine recording and you will be missing one of the best recordings to come out in quite a while. (Old Homestead Records, P.O. Box 100, Brighton, MI 48116.)RCB

 

FacebookTweetPrint
Share this article
Facebook
X (Twitter)
Linkedin

Leave a Comment Cancel Reply





This site uses Akismet to reduce spam. Learn how your comment data is processed.

May 2025

Flipbook

logo
A Publication of the Bluegrass Music Hall of Fame & Museum / Owensboro, KY
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Survey
  • New Releases
  • Online
  • Directories
  • Archives
  • About
  • Our History
  • Staff
  • Advertise
  • Contact
  • Subscriptions
Connect With Us
Facebook
Instagram
Twitter
YouTube
bluegrasshalloffame
tannerpublishing
tannerwest
Subscribe
Give as a Gift
Send a Story Idea

Copyright © 2025 Tanner Publishing Co. All Rights Reserved. Privacy Policy
Website by Tanner+West

Subscribe For Full Access

Digital Magazines are available to paid subscribers only. Subscribe now or log in for access.