Skip to content
Register |
Lost your password?
Subscribe
logo
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Tracks
  • The Archives
  • Log in to Your Account
  • Contact
  • Subscribe
  • Search
  • Login
  • Contact
Search
  • Magazine
    • Current Issue
    • Past Issues
    • Festival Guide
    • Talent Directory
    • Workshops/Camps
    • Our History
    • Staff
    • Advertise
    • Contact
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Track
  • The Archives

Home > Articles > Reviews > VARIOUS ARTISTS, THE COOPER SESSIONS

VARIOUS ARTISTS, THE COOPER SESSIONS

Bluegrass Unlimited|Posted on December 1, 2016|Reviews|No Comments
FacebookTweetPrint

VARIOUS ARTISTS
THE COOPER SESSIONS

No Label
No Number

The premise of this recording is to put together Maine melodic banjoist Ron Cody with fiddlers from a variety of genres (Bronwyn Keith-Hynes, Mike Barnett, Darol Anger, Alex Hargreaves, Brittany Haas, Matt Glaser, Bruce Molsky, Tashina and Tristan Clarridge, and Jonathan Cooper) playing fiddles made by luthier Jonathan Cooper. The backup on the 12 cuts includes mandolinists Roland White, Matt Witler, Jesse Brock, Dominick Leslie, and Joe Walsh, guitarists Matthew Arcara, Lincoln Meyers, Grant Gordy, and Frank Varela, and Wendy Cody on bass. The genre, based on the style of fiddling rather than the origin of the tunes, is mostly what I would call contemporary acoustic. The two exceptions, both old-time, are Brittany Haas’ fiddle duet with Jonathan Cooper on “Bonaparte Crossing The Rhine” and Bruce Molsky’s medley of “The Cowboy’s Life Is A Very Dreary Life,” the only vocal, and “Snake Chapman’s Tune.” Ron Cody brought two of his original tunes, “Stompin’ Time” and “Backstreet,” to the project. The other tunes derive from old-time, contest fiddling, and other sources.

These are all great musicians, and all the playing is impeccably good. So, if you enjoy collaborations with lots of improvisation and modern sounds in your music, you may want to give this recording a listen. (www.roncody.com)SAG

FacebookTweetPrint
Share this article
Facebook
X (Twitter)
Linkedin

Leave a Comment Cancel Reply





This site uses Akismet to reduce spam. Learn how your comment data is processed.

May 2025

Flipbook

logo
A Publication of the Bluegrass Music Hall of Fame & Museum / Owensboro, KY
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Survey
  • New Releases
  • Online
  • Directories
  • Archives
  • About
  • Our History
  • Staff
  • Advertise
  • Contact
  • Subscriptions
Connect With Us
Facebook
Instagram
Twitter
YouTube
bluegrasshalloffame
tannerpublishing
tannerwest
Subscribe
Give as a Gift
Send a Story Idea

Copyright © 2025 Tanner Publishing Co. All Rights Reserved. Privacy Policy
Website by Tanner+West

Subscribe For Full Access

Digital Magazines are available to paid subscribers only. Subscribe now or log in for access.