Skip to content
Register |
Lost your password?
Subscribe
logo
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Tracks
  • The Archives
  • Log in to Your Account
  • Contact
  • Subscribe
  • Search
  • Login
  • Contact
Search
  • Magazine
    • Current Issue
    • Past Issues
    • Festival Guide
    • Talent Directory
    • Workshops/Camps
    • Our History
    • Staff
    • Advertise
    • Contact
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Track
  • The Archives

Home > Articles > Reviews > TOWN MOUNTAIN, LIVE AT THE ISIS

Town Mountain - Steady Operator - Bluegrass Unlimited

TOWN MOUNTAIN, LIVE AT THE ISIS

Bluegrass Unlimited|Posted on December 1, 2014|Reviews|No Comments
FacebookTweetPrint

TOWN-MOUNTAINTOWN MOUNTAIN
LIVE AT THE ISIS

No Label
No Number

   Ah, the live concert recording—a temptation to all bands. It is, after all, at the root of what musicians do. They play live for audiences. The studio album is the polished, controlled effort used to build audiences. Why then don’t more bands make live recordings? Because they rarely work. What an audience can accept of human fallibility and uneven sound levels when they’re there watching and experiencing, often does not translate well to aural-only recordings.

After three studio albums, Town Mountain, the interesting roots band from North Carolina, has gone the live route, offering ten songs from their concert at the Isis Theatre in Asheville. Seven originals and a nice cover of Hank Williams, Jr.’s “5 Shots Of Whiskey” are from their studio recordings. Two covers, “The Race Is On” and “Orange Blossom Special” are fresh, so to speak. Sad to say, this album is one of the ones that doesn’t work, mostly soundwise. The crowd obviously thinks it does work. They’re enthusiastic.

Again, seeing and hearing is believing. The music on the CD is way out of balance. There is entirely too much bass. I turned the bass down and the treble up, and I still couldn’t shake it. It was better, but not enough, and made all the instruments thin. Which is a shame, because hidden behind the poor sound is a band with drive. They’re aggressive. They play like they mean it, and they’ve got some good material. “Up The Ladder,” a rockabilly number from guitarist Robert Greer (one of the few tunes that came across well) is a rousing number. Mandolinist Phil Barker’s “Lawdog” has some good moments and a ton of grit, even through the tangled sound. “5 Shots Of Whiskey” was also pretty good—even through the tangled sound. The poor sound, however, wins in the end. (www.townmountain.net)BW

FacebookTweetPrint
Share this article
Facebook
X (Twitter)
Linkedin

Leave a Comment Cancel Reply





This site uses Akismet to reduce spam. Learn how your comment data is processed.

May 2025

Flipbook

logo
A Publication of the Bluegrass Music Hall of Fame & Museum / Owensboro, KY
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Survey
  • New Releases
  • Online
  • Directories
  • Archives
  • About
  • Our History
  • Staff
  • Advertise
  • Contact
  • Subscriptions
Connect With Us
Facebook
Instagram
Twitter
YouTube
bluegrasshalloffame
tannerpublishing
tannerwest
Subscribe
Give as a Gift
Send a Story Idea

Copyright © 2025 Tanner Publishing Co. All Rights Reserved. Privacy Policy
Website by Tanner+West

Subscribe For Full Access

Digital Magazines are available to paid subscribers only. Subscribe now or log in for access.