Skip to content
Register |
Lost your password?
Subscribe
logo
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Tracks
  • The Archives
  • Log in to Your Account
  • Contact
  • Subscribe
  • Search
  • Login
  • Contact
Search
  • Magazine
    • Current Issue
    • Past Issues
    • Festival Guide
    • Talent Directory
    • Workshops/Camps
    • Our History
    • Staff
    • Advertise
    • Contact
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Track
  • The Archives

Home > Articles > Reviews > Through These Trees

TTT-Feature

Through These Trees

Bob Allen|Posted on August 1, 2024|Reviews|No Comments
FacebookTweetPrint

At age 16, Mei Lin Heirendt, lead singer and fiddler with this northern California-based quartet, is already a veteran of sorts. She started playing the violin at age 7, and has simply never stopped.  Since she was a child, she’s been involved with and nurtured by the California Bluegrass Association and is currently the organization’s Youth Ambassador.  Several years ago, Heirendt also participated in the IBMA’s Kids on Bluegrass program and was one of six musicians to perform at an IBMA awards show reception.

Broken Compass Bluegrass, her current band, proves a worthy showcase not only for her accomplished writing, singing and playing, but also the talents of her bandmates. They are: Kyle Ledson on mandolin and guitar, Django Ruckrich on guitar and mandolin, and Sam Jacobs on bass.

The quartet shines on this, its sophomore album, with lots of extended, genre-bending solos, solid vocals and impressive original songs.  Through These Trees opens with the playful, high-lonesome “Alien Song,” which features Ledson on lead vocals.  On her mystical, new-agey “Fairies & Lightning,” Heirendt delivers a soulful vocal and some sizzling fiddle work. Her introspective “Discovering Me” conveys similar gravitas. 

Broken Compass Bluegrass’s sophistication seldom comes at the expense of soulfulness and spontaneity in terms of extended instrumental rides with jam-like intensity. So it is on the moving ballads, “Steel & Rust” and “Set in Stone” and the Celtic-flavored instrumental “Circustown.”

FacebookTweetPrint
Share this article
Facebook
X (Twitter)
Linkedin

Leave a Comment Cancel Reply





This site uses Akismet to reduce spam. Learn how your comment data is processed.

August 2024

Flipbook

logo
A Publication of the Bluegrass Music Hall of Fame & Museum / Owensboro, KY
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Survey
  • New Releases
  • Online
  • Directories
  • Archives
  • About
  • Our History
  • Staff
  • Advertise
  • Contact
  • Subscriptions
Connect With Us
Facebook
Instagram
Twitter
YouTube
bluegrasshalloffame
tannerpublishing
tannerwest
Subscribe
Give as a Gift
Send a Story Idea

Copyright © 2025 Tanner Publishing Co. All Rights Reserved. Privacy Policy
Website by Tanner+West

Subscribe For Full Access

Digital Magazines are available to paid subscribers only. Subscribe now or log in for access.