Skip to content
Register |
Lost your password?
Subscribe
logo
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Tracks
  • The Archives
  • Log in to Your Account
  • Contact
  • Subscribe
  • Search
  • Login
  • Contact
Search
  • Magazine
    • Current Issue
    • Past Issues
    • Festival Guide
    • Talent Directory
    • Workshops/Camps
    • Our History
    • Staff
    • Advertise
    • Contact
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Track
  • The Archives

Home > Articles > Reviews > The Missy Werner Band – Three Kinds Of Lonesome

The Missy Werner Band - Three Kinds Of Lonesome - Bluegrass Unlimited

The Missy Werner Band – Three Kinds Of Lonesome

Bluegrass Unlimited|Posted on March 1, 2012|Reviews|No Comments
FacebookTweetPrint

The Missy Werner Band - Three Kinds Of Lonesome - Bluegrass UnlimitedTHE MISSY WERNER BAND
THREE KINDS OF LONESOME
Missy Werner Music
MWM 2011-1

Missy Werner’s second release includes 14 songs that are predominantly contemporary in style and are drawn from such writers as Jennifer Strickland, Jon Weisberger, Jeremy Garrett, and Mark Brinkman, among others. The exceptions are “Blue Skies And Teardrops” (a tribute to Lynn Morris) and “Journey To My Savior’s Side” (a tribute to the Bluegrass Cardinals) and are what can be termed as known songs; not standards, but certainly known to many.

n that balance, the choice of material here is similar to that of her debut. What is different is the presentation. On the debut, there was power and emotion in Werner’s voice, but also searching. Two years on, the power and emotion have strengthened and gone is the searching. In its place is confidence and determination, focusing better the listener on the problem, the story, and the emotion.

Gone also is the studio band of Stewart, Nixon, Bibey, Kohrs, and Stafford from the debut, replaced by Werner’s touring band of Artie Werner on guitar, Jeff Roberts on banjo, and Tim Strong on bass. Guests Aaron Till on fiddle and Mike Witcher on resonator guitar add to the mix, as does banjoist Ned Luberecki on “If I Fall.” Some will miss the star power, but my own thinking is that sound is now more realistic, more intimate, and more appropriate. These are not songs demanding hot solos, but rather songs that cry for good ensemble work, which is what the band provides.

Those two shifts, one toward confidence, the other toward a more homegrown, ensemble sound, give this recording a more unified effect. Add several fine song choices that include Werner’s emphatic duet on “Endlessly,” the country and ’50s pop hybrid of “Leaves In The Wind,” the joyful and quick “If I Fall,” and Mark Brinkman’s laundry list of “Three Little Words” that can save a relationship, and the result is a strong follow-up to her debut. (Missy Werner, 4958 Cedar Brook Ct., Liberty Turnpike, OH 45011, www.missywerner.com.) BW

FacebookTweetPrint
Share this article
Facebook
X (Twitter)
Linkedin

Leave a Comment Cancel Reply





This site uses Akismet to reduce spam. Learn how your comment data is processed.

June 2025

Flipbook

logo
A Publication of the Bluegrass Music Hall of Fame & Museum / Owensboro, KY
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Survey
  • New Releases
  • Online
  • Directories
  • Archives
  • About
  • Our History
  • Staff
  • Advertise
  • Contact
  • Subscriptions
Connect With Us
Facebook
Instagram
Twitter
YouTube
bluegrasshalloffame
logo@2x
Subscribe
Give as a Gift
Send a Story Idea

Copyright © 2025 Black Box Media Group. All Rights Reserved. Privacy Policy
Website by Tanner+West

Subscribe For Full Access

Digital Magazines are available to paid subscribers only. Subscribe now or log in for access.