Skip to content
Register |
Lost your password?
Subscribe
logo
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Tracks
  • The Archives
  • Log in to Your Account
  • Contact
  • Subscribe
  • Search
  • Login
  • Contact
Search
  • Magazine
    • Current Issue
    • Past Issues
    • Festival Guide
    • Talent Directory
    • Workshops/Camps
    • Our History
    • Staff
    • Advertise
    • Contact
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Track
  • The Archives

Home > Articles > Reviews > THE JIMMY HAYNES BAND, STILL HANGIN’ ON

JIMMY HAYNES

THE JIMMY HAYNES BAND, STILL HANGIN’ ON

Bluegrass Unlimited|Posted on November 1, 2012|Reviews|No Comments
FacebookTweetPrint

JIMMY HAYNESTHE JIMMY HAYNES BAND
STILL HANGIN’ ON

No Label
No Number

After opening their debut recording with a lush, medium tempo cover of Harley Allen’s “All In God’s Plan,” I kept waiting for the Jimmy Haynes Band to jump into high gear. But as each medium and slow song gave way to the next, I’d think, “Okay, that’s a good track, but they need the next to be fast.” When the CD ended and only a couple had mildly approached the uptempo level, I realized Haynes and his group had produced 11 very good tracks and had succeeded without the high gear.

Good song selection is an important part of that success. Among their 11 choices (all of them covers), are the chestnuts “Little Cabin Home On The Hill,” “Sweet By And By,” and “Lonesome Feeling,” the near-standard Jim Eanes tune “Baby Blue Eyes,” and several well-known tunes, among them “Miami, My Amy,” “Molly,” and John Denver’s “I’m Sorry.” Jimmy Gaudreau’s instrumental “Edsel’s Tailpipe” is probably the least known, but is a fine tune nonetheless. Some of them swing or lope along in a country style. Some are traditional bluegrass, some contemporary. But all are good songs with strong melodies and distinct feels, making for a good foundation and for good listening.

At the same time, you need the talent to pull it off, and they do. Principal vocalist and bassist Enola Haynes grabs most of the attention with her forceful, middle-range and brassy-tinged leads. She’s at her best on “Blue Trail Of Sorrow,” and “Lonesome Feeling,” but gives a good performance throughout. Her guitarist son, Giles, sings the balance in a solid country baritone, really hitting well on “Miami, My Amy.” Around them is the fine ensemble work of banjoist Glenn Hamilton, mandolinist Jimmy Haynes and particularly lead guitarist Scott Jackson. All that makes for a fine start for this Ohio group. (Jimmy Haynes Band,  48441 Russia Rd., S. Amherst, OH 44001, www.thejimmyhaynesband.com.)BW

FacebookTweetPrint
Share this article
Facebook
X (Twitter)
Linkedin

Leave a Comment Cancel Reply





This site uses Akismet to reduce spam. Learn how your comment data is processed.

May 2025

Flipbook

logo
A Publication of the Bluegrass Music Hall of Fame & Museum / Owensboro, KY
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Survey
  • New Releases
  • Online
  • Directories
  • Archives
  • About
  • Our History
  • Staff
  • Advertise
  • Contact
  • Subscriptions
Connect With Us
Facebook
Instagram
Twitter
YouTube
bluegrasshalloffame
tannerpublishing
tannerwest
Subscribe
Give as a Gift
Send a Story Idea

Copyright © 2025 Tanner Publishing Co. All Rights Reserved. Privacy Policy
Website by Tanner+West

Subscribe For Full Access

Digital Magazines are available to paid subscribers only. Subscribe now or log in for access.