Skip to content
Register |
Lost your password?
Subscribe
logo
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Tracks
  • The Archives
  • Log in to Your Account
  • Contact
  • Subscribe
  • Search
  • Login
  • Contact
Search
  • Magazine
    • Current Issue
    • Past Issues
    • Festival Guide
    • Talent Directory
    • Workshops/Camps
    • Our History
    • Staff
    • Advertise
    • Contact
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Track
  • The Archives

Home > Articles > Reviews > ROGER NETHERTON

RR-Roger-Netherton

ROGER NETHERTON

Bluegrass Unlimited|Posted on February 1, 2019|Reviews|No Comments
FacebookTweetPrint

Roger-NethertonROGER NETHERTON

No Label
No Number

Roger Netherton is one of the new, young fiddlers to hit the old-time scene. He’s an adventurous soul and isn’t afraid to take the tunes, old and new, and turn them any which way but loose. His arrangements and approach are that of someone who plays contra dances where the tune is a vehicle to be driven to where it leads, as long as the groove is never forsaken. Included are newer tunes, “Tippin’ Back The Corn” and “Chips And Sauce.” He shines on the Irish tune “John Stenson’s No. 2.” There are two versions of “Durang’s Hornpipes,” a laid-back version from Jake Phelps, followed by a frantic one where he shows off the triple-bow jump taught to him by the revered West Virginia fiddler Bobby Taylor.

The tunes throughout this project are of a consistently high quality, as are the musicians. Under the solid hand of producer Rachel Eddy, who also plays guitar, banjo and some fiddle, this project makes a bold statement. Hunter Walker demonstrates his prowess on dulcimer and banjo, and Alex Lacquement plays bass. Netherton’s original “Blue Moon Waltz” features some nice work by Walker on dulcimer. “Half Past Four” is a fiddle duet with Eddy, and it rocks.

There are 14 tracks on this project, and most are real aural treats, such as Ed Haley’s “Cherry River Rag,” a tune not to be taken lightly.  The driving version of the late Garry Harrison’s “Ol’ Bob” is one of those groovy dances tunes that keeps it moving. Hunter Walker wrote “So Sang The Mountain,” a haunting number that would make a great bluegrass showpiece. This young fiddler shows a lot of promise here. It’ll be fun to hear what he does in the future. (facebook.com/rogernetherton)RCB

FacebookTweetPrint
Share this article
Facebook
X (Twitter)
Linkedin

Leave a Comment Cancel Reply





This site uses Akismet to reduce spam. Learn how your comment data is processed.

June 2025

Flipbook

logo
A Publication of the Bluegrass Music Hall of Fame & Museum / Owensboro, KY
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Survey
  • New Releases
  • Online
  • Directories
  • Archives
  • About
  • Our History
  • Staff
  • Advertise
  • Contact
  • Subscriptions
Connect With Us
Facebook
Instagram
Twitter
YouTube
bluegrasshalloffame
logo@2x
Subscribe
Give as a Gift
Send a Story Idea

Copyright © 2025 Black Box Media Group. All Rights Reserved. Privacy Policy
Website by Tanner+West

Subscribe For Full Access

Digital Magazines are available to paid subscribers only. Subscribe now or log in for access.