Skip to content
Register |
Lost your password?
Subscribe
logo
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Tracks
  • The Archives
  • Log in to Your Account
  • Contact
  • Subscribe
  • Search
  • Login
  • Contact
Search
  • Magazine
    • Current Issue
    • Past Issues
    • Festival Guide
    • Talent Directory
    • Workshops/Camps
    • Our History
    • Staff
    • Advertise
    • Contact
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Track
  • The Archives

Home > Articles > Reviews > Passages

Passages-Feature

Passages

Bob Allen|Posted on May 1, 2024|Reviews|No Comments
FacebookTweetPrint

California-based guitarist Ethan Sherman has long been a leading light on the new acoustic scene and, as this all-original, all-instrumental collection attests, he’s well-versed in the progressive bluegrass idiom.

The melodies and the picking here are exquisite and largely based on improvisation. As Sherman explains in the liner notes:“I don’t view Passages as a showcase for my guitar playing: it’s all about the band. I tried to write tunes to highlight everyone’s unique voices on their instruments, and arrange them for maximum opportunity for us all to interact deeply in real time.”

Sherman’s hand-picked collaborators include:  Wes Corbett (banjo and producer), Thomas Cassell (mandolin), Avery Merritt (fiddle), Ethan Jodziewicz (bass), and Rob Ickes (Dobro). 

The band deftly weaves through a variety of moods and attitudes, from the playful to the profound. There’s the jaunty “Glendale Gallop,” the exuberant “Extra Stout,” the ethereal “Lake Aire,” the evocative “Four Days,” the playful “Cribbage in the Dark” and the enigmatic “The Architect.” Clearly, the “passages” referred to in the title and evoked by the music are both geographical and emotional.

All in all, these outstanding performances will give casual listeners a lot of pleasure and provide something for students of these respective instruments to learn from and aspire to.

FacebookTweetPrint
Share this article
Facebook
X (Twitter)
Linkedin

Leave a Comment Cancel Reply





This site uses Akismet to reduce spam. Learn how your comment data is processed.

May 2024

Flipbook

logo
A Publication of the Bluegrass Music Hall of Fame & Museum / Owensboro, KY
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Survey
  • New Releases
  • Online
  • Directories
  • Archives
  • About
  • Our History
  • Staff
  • Advertise
  • Contact
  • Subscriptions
Connect With Us
Facebook
Instagram
Twitter
YouTube
bluegrasshalloffame
tannerpublishing
tannerwest
Subscribe
Give as a Gift
Send a Story Idea

Copyright © 2025 Tanner Publishing Co. All Rights Reserved. Privacy Policy
Website by Tanner+West

Subscribe For Full Access

Digital Magazines are available to paid subscribers only. Subscribe now or log in for access.