Articles

Reprinted from Bluegrass Unlimited Magazine August 1983, Volume 18, Number 2 When is a bluegrass band not a band but an “ensemble”? What is the difference? Some people may think that “ensemble” is only a fancy name for a group —a word used in publicity material sent out to secure the more elite gigs like…

by Guy Clark and Shawn Camp “It has a charm about it … there’s something about the lilt and the sentiment in that song that quiets an audience. I don’t understand it, but it’s there,” said Shawn Camp of his cowrite with Guy Clark, “Magnolia Wind.” That charm of the song’s melody and lyrics has…

Ida Clare offers a new project of original material that blends their mix of bluegrass styles. The band is based in Louisville, Kentucky and includes Lea Cockrell (vocals, guitar), Jim Wheatley (vocals, mandolin, harmonica, guitar), Robin Thixton (vocals, banjo), and Nick Stevens (bass, piano). Others include Rob Edwards (percussion), Jeff Guernsey (fiddle, resonator guitar), Todd…

Earlier this summer, the Bluegrass Music Hall of Fame & Museum in Owensboro, Kentucky launched a new exhibition honoring the current International Bluegrass Music Association award winners.  The organizations already collaborate with the museum’s exhibition of the Hall of Fame inductees, chosen by IBMA.  In 2022, former IBMA chairman Mike Simpson pitched the idea to…

There is a mystique around guitars built prior to World War II in what is widely considered the golden age of guitars.  If you have ever heard someone pick a Martin or Gibson from that era, then you know they are something special. Guitars from that period are prized by players and collectors alike, and…

Photo by Bud Osborne Over the last four decades, Australia’s Paul Duff has earned mention in mandolin and bluegrass circles as one of the premier mandolin-family builders. His instruments, which range from an A4-style mandolin to outrageous feats of luthiery like recreating one of Orville Gibson’s early, highly ornate archtop guitars in exacting detail, reflect…