Articles
IssueM Articles
The Long And Lonesome Letting Go
Jim Lauderdale has earned his reputation as the consummate collaborator over the course of his career and his latest collaboration with bluegrass powerhouse The Po’ Ramblin’ Boys (PRB) banks as one of his best in his extensive 36 album discography. The album is one of the best traditional bluegrass albums I have heard in a…
Jim Eanes
Reprinted from Bluegrass Unlimited Magazine May 1987, Volume 21, Number 11 Among the musicians who pioneered in the development of bluegrass music, one of the most gifted and enduring was “Smilin’ ” Jim Eanes from Martinsville, Virginia. His contributions to the music are many, both in terms of fronting a very popular and successful band…
Master of the Dobro—LeRoy Mack
Reprinted from Bluegrass Unlimited Magazine January 1991, Volume 25, Number 7 The great Dobroist LeRoy (Mack) McNees, best known as a member of the Kentucky Colonels from the late ’50s to the early ’60s, is alive and well in Sun Valley, California, in the L.A. area. He’s a prosperous businessman, owner-manager of Rusmar High Lift…
Tut Taylor—Bluegrass Enigma
Reprinted from Bluegrass Unlimited Magazine September 1977, Volume 12, Number 3 Entrepreneur, musician, festival lover and hater, sign painter, instrument builder, collector, author of pointed letters and want ads to BU, Tut Taylor’s wildly varied career is one of bluegrass music’s most fascinating enigmas. His interests and activities are so scattered [and yet usually simultaneous]…
The Dobro Guitar And Bluegrass
By Russ Hooper and Randy Slacum Reprinted from Bluegrass Unlimited Magazine May 1967, Volume 1, Number 11 The typical bluegrass band consists of a bass, banjo, fiddle, (or mandolin) and guitar. Not typical, but included in some bands is the autoharp, harmonica, or the dobro guitar. The dobro was first made in San Francisco during…
Jerry Douglas—They Call Him Flux
Reprinted from Bluegrass Unlimited Magazine November 1981, Volume 16, Number 5 According to Webster’s: FLUX —to become fluid; a substance used to promote fusion. Put Jerry Douglas and his Dobro into a band—and you know how he got his nickname. Constantly complementing vocals and other soloists, or ripping off one of the dazzling breaks he…