Articles
IssueM Articles
Music in My Soul
In the southern gospel tradition, High Fidelity proves that “church music” doesn’t have to be stodgy or sedate. “Music in My Soul” is a heaping helping of thigh-slapping, camp meeting music, with dinner on the grounds. It’s sure to bring out the listener’s inner Pentecostal. The opening track, “I’m Ready to Go” is a gleeful…
Try To Make It Fly
According to the accompanying press material, this Toronto-based band recorded an album’s worth of material, then set it aside because it lacked the live immediacy that the trio was after. Whatever John Showman (vocals and fiddle), Chris Coole (vocals and clawhammer banjo), and vocalist/upright bassist Max Malone missed on that first go-round, they certainly captured…
The Long And Lonesome Letting Go
Jim Lauderdale has earned his reputation as the consummate collaborator over the course of his career and his latest collaboration with bluegrass powerhouse The Po’ Ramblin’ Boys (PRB) banks as one of his best in his extensive 36 album discography. The album is one of the best traditional bluegrass albums I have heard in a…
Jim Eanes
Reprinted from Bluegrass Unlimited Magazine May 1987, Volume 21, Number 11 Among the musicians who pioneered in the development of bluegrass music, one of the most gifted and enduring was “Smilin’ ” Jim Eanes from Martinsville, Virginia. His contributions to the music are many, both in terms of fronting a very popular and successful band…
Master of the Dobro—LeRoy Mack
Reprinted from Bluegrass Unlimited Magazine January 1991, Volume 25, Number 7 The great Dobroist LeRoy (Mack) McNees, best known as a member of the Kentucky Colonels from the late ’50s to the early ’60s, is alive and well in Sun Valley, California, in the L.A. area. He’s a prosperous businessman, owner-manager of Rusmar High Lift…
Tut Taylor—Bluegrass Enigma
Reprinted from Bluegrass Unlimited Magazine September 1977, Volume 12, Number 3 Entrepreneur, musician, festival lover and hater, sign painter, instrument builder, collector, author of pointed letters and want ads to BU, Tut Taylor’s wildly varied career is one of bluegrass music’s most fascinating enigmas. His interests and activities are so scattered [and yet usually simultaneous]…