Articles

Bluegrass has never been known as a producer’s music. The bands get famous; the producers of their albums don’t. Unlike their counterparts in such genres as rock, soul, hip-hop, or country, bluegrass record producers have mostly toiled in obscurity, their contributions known only to a few. Jim Dickson deserves better than that, deserves to be…

In my opinion, John Reischman does everything that relates to playing the mandolin extremely well.  His tone, timing, dynamics, phrasing…you name it, he does it at the level of mastery.  A few other things that he can do extremely well—which proves to me that he is not only a phenomenal mandolin player, but also an…

[Editor’s Note: We ran this review in the September 2025, however, there were some inaccuracies in that review.  Because of those inaccuracies, I decided to run the review again with corrections included.  Our apologies to Volume Five for the previous inaccurate review.] Mississippi fiddle player Glen Harrell founded Volume Five in 2008, originally as a…

Sis Draper, one of the most beloved bluegrass song characters in recent years, has returned to tell us a little more about her life and music through a concept album co-written by Shawn Camp and Guy Clark, The Ghost of Sis Draper, released September 12 on the Truly Handmade Records label.  Sis Draper was a…

Growing up in the San Francisco Bay Area, my late 1950s interest in folk music and blues turned toward bluegrass around 1958-9. By 1960, I had been “bit by the bug,” as they say. In August of that year, the Redwood Canyon Ramblers, the local college band, gave a concert where I met their singer…

Reprinted from Bluegrass Unlimited Magazine June 1990, Volume 24, Number 12 The Hot Rize boys have just been called back to the stage for their third encore at Liberty Hall in Lawrence, Kansas. Roses are delivered to the stage by four young ladies and the entire packed house, including a group of guys in the…