Articles

Reprinted from Bluegrass Unlimited Magazine March 1976, Volume The Great Midwestern Bluegrass Music Hall, 118 West Washington Street, in Louisville, Kentucky, is the new home base of the Bluegrass Alliance—when they are at home. The former warehouse is only a few blocks from where the famous sternwheeler “The Belle Of Louisville” docks on the Ohio…

Reprinted from Bluegrass Unlimited Magazine October 1973, Volume 8, Number 4 “Who is Norman Blake?” “One of the best pickers in the whole country. He’s got a lot of notes here and there, and puts them together in a very unpretentious way.” Such runs the opinion of those who know him. But a recent sampling…

Reprinted from Bluegrass Unlimited Magazine January 1989, Volume 23, Number 7 Lyman Enloe, a small, slimly built man in his 82nd year, is a nationally respected old-time fiddler and that’s what he’d rather be doing, as a rule. I notice that writers seem to bring out the nervous energy in him, as he clears his…

Dr. Ted Olson, professor of Appalachian studies at East Tennessee State University, has compiled an album of previously unreleased tracks from banjo master Carroll Best, who played an essential role in the evolution of the melodic banjo style in the 1950s.  Best referred to his technique as “fiddle style,” which certainly fits, as it was…

We can make this easy.  If you’re a fan of the music of Lonesome River Band, Lou Reid & Carolina, Grasstowne, Lost & Found, and the Larry Stephenson Band, you’re going to like Shannon Slaughter’s latest album, Plowin’ It to the Fence. Slaughter has spent time in all of those groups, so it’s no shock…

Australian native Kristy Cox has been named that country’s “Queen of Bluegrass” and has been bringing her singing and songwriting talents to the U.S. for a number of years. She has been nominated for, or has won, a number of awards in both countries, including Australia’s Golden Guitar Awards for Bluegrass Recordings and our own…