Articles

In the well-known song by Grandpa Jones, “Falling Leaves,” we’re told: “To your grave, there’s no use taking any gold. You cannot use it when it’s time for hands to fold. When you leave this earth for a better home someday, the only thing you’ll take is what you gave away.”       Jim…

Looking back over the recordings that Jim and Jesse McReynolds made with their band the Virginia Boys, one will notice that there was no lack of talent in the banjo spot.  Take a look at the list on page 34 and you will notice a number of 5-string legends.   Although talent abounds on this…

From the twin cities of Minnesota come this interesting trio who formed around five years ago. They are Isabel Dammann (violin), Krissy Bergmark (tabla), and llan Blanck (guitar). Along with guest Olivia Diercks (cello), the group has produced a very pleasant all-instrumental project that has its roots in tradition but is quite modern in approach….

Reprinted from Bluegrass Unlimited Magazine May 1987, Volume 21, Number 11 Among the musicians who pioneered in the development of bluegrass music, one of the most gifted and enduring was “Smilin’ ” Jim Eanes from Martinsville, Virginia. His contributions to the music are many, both in terms of fronting a very popular and successful band…

Reprinted from Bluegrass Unlimited Magazine January 1991, Volume 25, Number 7 The great Dobroist LeRoy (Mack) McNees, best known as a member of the Kentucky Colonels from the late ’50s to the early ’60s, is alive and well in Sun Valley, California, in the L.A. area. He’s a prosperous businessman, owner-manager of Rusmar High Lift…

Reprinted from Bluegrass Unlimited Magazine September 1977, Volume 12, Number 3 Entrepreneur, musician, festival lover and hater, sign painter, instrument builder, collector, author of pointed letters and want ads to BU, Tut Taylor’s wildly varied career is one of bluegrass music’s most fascinating enigmas. His interests and activities are so scattered [and yet usually simultaneous]…