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Orin Friesen in his studio. Photo by Jesse Friesen.

A Broadcast Legend

Bluegrass Radio Show Hits the 50 Year Mark While various areas of the Appalachian region are considered the main hotbed for bluegrass music, there are other faraway parts of the U.S. where the music is appreciated and thrives. One excellent example of this is Orin Friesen’s bluegrass radio show, which has been broadcast from Kansas…

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Grassology

Jason Keiser is a wizard in the bluegrass-jazz (or “space grass”) guitar tradition of Tony Rice and John Carlini, both formerly of the David Grisman Quintet. Keiser has, in fact, studied under many of the masters, including Carlini, Wyatt Rice and mandolin maestro Adam Steffey. On this dazzling, all-acoustic, instrumental collection, Keiser pays tribute to…

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City Of Glass

For those unfamiliar with this Santa Cruz, California-based band, it is an off-shoot of what was once the Tuttle Family Band, which included Molly Tuttle, her father Jack Tuttle, her brother Sullivan and AJ Lee. Now, with Lee at the helm and guitarist Sullivan Tuttle on board, along with Scott Gates (also an excellent guitarist)…

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The Jerry Douglas Story

Reprinted from Bluegrass Unlimited Magazine August 1991, Volume 26, Number 2 New grass, bluegrass-fusion, country-rock, new-country, super- picker. All these terms and more have been used to describe or explain the new breed of hot pickers such as Jerry Douglas. They are usually in their late ’20s or early ’30s. Their parents were born in…

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Alan Munde

Reprinted from Bluegrass Unlimited Magazine October 1976, Volume 11, Number 4 Bluegrass banjo’s ever-widening popularity, both here and in Europe, has been greatly broadened through the innovative efforts of one 29 year old native of Norman, Oklahoma, Alan Munde. As an integral component of The Country Gazette for almost five years now, Al has more…

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Expanding the Horizons — Susie Monick and Tony Trischka

Reprinted from Bluegrass Unlimited Magazine December 1976, Volume 11, Number 6 While there are plenty of lightning-quick banjo pickers around, only a handful have directly contributed to the stylistic development of the instrument. Earl Scruggs, of course, is the giant in the field. Scruggs took the raw style he picked up in North Carolina from…

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