Articles

Reprinted from Bluegrass Unlimited Magazine September 1983, Volume 18, Number 3 The Sally Mountain Show’s stage presentation carries a great deal of visual appeal but its real story concerns the group’s refreshingly different sound, loaded with “punch” and vocal force that has to be heard to be appreciated. The raw power is supplied by 20-year-old…

Calling My Children Home At recording sessions in August 1977, the Country Gentlemen recorded their last album for the Rebel label before showing up at Sugar Hill Records. The album was a gospel collection, their second, and it featured Charlie Waller, Bill Yates, Doyle Lawson and James Bailey. The title of the album was Calling…

Mastering: The Final Gut Check Even if you have never been in a recording studio, you probably have a sense of the recording process at its most rudimentary level.  Set out a microphone, play or sing into it and a machine records the sounds.  Of course, there is much more to both the art and…

Bands Blurring the Lines of Bluegrass The genius of Cris Jacobs has always been his chameleon-like ability to float between genres and musical styles, making each his own.  From the rambunctious jamband energy of his first band The Bridge, to New Orleans funk and his collaboration with Ivan Neville, to his soulful brand of rock,…

Dives Into No Fear You might think it would send shivers down the spine of a teenaged Maddie Dalton joining one of bluegrass music’s hottest acts, Sister Sadie, and that’s exactly what it did. On top of auditioning for the 3-time IBMA “Vocal Group of the Year” and making her Grand Ole Opry debut on…

Fifty-Seven Years on Stage and Still Going Strong When a writer for the Wall Street Journal reviewed Rhonda Vincent’s first Rounder release, Back Home Again (2000), proclaiming Vincent to be the “New Queen of Bluegrass,” that reviewer could not have predicted how long the “new” queen’s reign would last.  The music industry tends to be…