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Something He Can Handle

Kentuckian Michael Prewitt (mandolin, guitar) is a former member of Special Consensus and has toured with them both nationally and internationally. He also has been nominated a couple of times for IBMA’s Momentum Instrumentalist Of The Year.  On this, his second album, Prewitt features not only his instrumental prowess, and his clean baritone vocals, but…

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Unfinished Bridges

This top-notch quintet out of southern New England has been around since 2013, and on their third album (produced by Scott Vestal) they are in top form with stalwart lead vocals and harmonies, fine picking and provocative songwriting. The band, which was the official IBMA Showcase Band in 2021, consists of: Billy Thibodeau on mandolin,…

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Compton and Newberry

Listening to the new duo CD from Mike Compton and Joe Newberry feels like reading the manuscript of a lost Faulkner novella discovered at a flea market in Mike Compton’s native Lauderdale County, Mississippi. The stories are real and raw, but disclosed in measured doses, through voices at times tortured and others reverent. It’s music…

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IBMA 2024

Musicians and Community Support One Another Photos by Ricky Davis 2024 was preordained to be a bittersweet IBMA year, like a high school graduation, throwing caps in the air, fully realizing that the World of Bluegrass landscape as we knew it was about to change. After 12 years in Raleigh—a period long enough to be a…

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Bluegrass Tracks

Andy Statman grew up in Queens on rock and roll music, took mandolin lessons from David Grisman, wanted his Jewish heritage to be a part of his art and his work is described on his website as “spontaneous American-roots music and personal, prayerful hasidic music, by way of avant-garde jazz.”  So naturally, listeners would expect…

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Journey of Faith

Photos by Lily Jack Photography Grammy-nominated songwriter Rick Lang has created not one, but now two staples of bluegrass gospel music with the release of Blue Collar Gospel on the heels of Gonna Sing, Gonna Shout. The New Hampshire native received a Grammy nod for Best Roots Gospel Album for GSGS. The title track was…

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