Articles

Reprinted from Bluegrass Unlimited Magazine August 1980, Volume 15, Number 2 It all started with mama. It seemed like she could make music on about anything with strings on it and some things that didn’t, like the french harp. There never was enough time for mama to play, what with raising six rambunctious sons. But…

Reprinted from Bluegrass Unlimited Magazine May 1993, Volume 27, Number 11 The creases around his eyes cast deeper shadows now and distinguished touches of gray highlight his beard. Gone is the skinny young man who was thrilled to have Byron Berline and Jethro Burns play on his solo album. In his place stands a mature,…

Photos by Lance LeRoy Reprinted from Bluegrass Unlimited Magazine October 1982, Volume 17, Number 4 The classic bluegrass music sound as most refer to it today was born in Nashville, Tennessee, on a Saturday night in the latter part of 1945, when Bill Monroe, Lester Flatt, Earl Scruggs, Howard (Cedric Rainwater) Watts and “Chubby” Wise…

Growing up in the San Francisco Bay Area, my late 1950s interest in folk music and blues turned toward bluegrass around 1958-9. By 1960, I had been “bit by the bug,” as they say. In August of that year, the Redwood Canyon Ramblers, the local college band, gave a concert where I met their singer…

Bluegrass has never been known as a producer’s music. The bands get famous; the producers of their albums don’t. Unlike their counterparts in such genres as rock, soul, hip-hop, or country, bluegrass record producers have mostly toiled in obscurity, their contributions known only to a few. Jim Dickson deserves better than that, deserves to be…

Featuring The Bluegrass Cardinals, Hot Rize and Arnold Shultz Whenever I have interviewed bluegrass musicians who were born and raised west of the  Mississippi River, not only do I tend to ask them about the bluegrass scene in their part of the world, I also ask them if they felt like they grew up far…