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Bluegrass Original Photos from Bluegrass Unlimited Magazine archives Some bluegrass enthusiasts like to argue about how and when bluegrass music, as we know it today, was founded and by whom. Some will say that it was founded and developed by Bill Monroe.  There is certainly a good solid argument for that point of view.  Regardless…

Reprinted from Bluegrass Unlimited Magazine August 1988, Volume 23, Number 2 If the term “Morgan Thoroughbred” makes you think of horses, and not banjos, then you haven’t met Tom Morgan yet. If you already know that the Thoroughbred banjo is a superb instrument designed and built by Tom and hand-crafted at the Morgan Company, you…

Reprinted from Bluegrass Unlimited Magazine May 1983, Volume 17, Number 11 Jimmy Arnold popped in and out of the bluegrass scene in the seventies. During that time, the Virginia native managed to record one banjo and one guitar album for Rebel. Jimmy also put in a few years playing mainly banjo with Joe Greene, Cliff…

Reprinted from Bluegrass Unlimited Magazine February 2007, Volume 41, Number 8 As I pulled off 1-81 at the Marion, Va. exit and headed into the mountains on Rt. 16, I recalled the first time I ever met Wayne Henderson. I had enrolled in a guitar workshop at the Augusta Heritage Center in Elkins, W.Va., and…

Reprinted from Bluegrass Unlimited Magazine November 1973, Volume 8, Number 5 Among bluegrass musicians, fiddlers have frequently achieved special attention. At a number of festivals in recent years fiddlers such as Tex Logan, Chubby Wise or Howdy Forrester make guest appearances and occasionally several fiddlers perform at once on stage. Not even the banjo —…

Q – Did the Stanley Brothers, or Ralph Stanley for that matter, ever record with a Dobro? I’ve got just about everything the Stanley Brothers recorded, including the Rich-R-Tone stuff, the Columbia, Mercury, and King recordings. I don’t remember them recording with a Dobro. Bill Monroe, Lester Flatt & Earl Scruggs pre-mid ‘50s, and Reno…