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IssueM Articles
Still Time To Dream
Originally from Massachusetts, Amy Clay studied to become a classically-trained violinist. However, after moving to the San Francisco Bay area, she began getting into other styles of playing, like country and bluegrass music. She played with area musicians and attended local jams, and a few years ago she started writing her own material about subjects…
Addie Levy
The Brothers Have a Sister Photo By Shana Leigh The Brothers Comatose is a San Francisco, California based five-piece bluegrass band that have headlined festivals such as Hardly Strictly Bluegrass, High Sierra Music Festival, and the Kate Wolf Music Festival and toured with Yonder Mountain String Band, Lake Street Drive and A.J. Lee and Blue…
Mike Clark Memorial Scholarship and the Oklahoma International Bluegrass Fest Help Bluegrass Students Achieve Their Dreams
Photos By Cassidy Wayant Photography In many parts of the country, the wonderful roots music genre known as bluegrass continues to flourish due to targeted efforts to keep the music alive and flowing into the future. In some states, it is the Junior Appalachians Musicians program that facilitates the teaching of over 1,000 students in…
Daggomit
Max Wareham, who’s spent the last several years in Peter Rowan’s band, really knows his way around the banjo, as his debut album attests. Rowan produced Daggomit, and contributes generously, with several cowrites with Wareham and two lead vocals. Though Wareham only sings on a couple of tracks, including “Hard Times Are Far Behind” (cowritten with…
Kelley Mandolins
Banjo Slayers Today, many small-shop mandolin builders produce what have come to be called “boutique mandolins.” The mandolins of one of those craftsmen, Thomas “Skip” Kelley, have been mentioned on the online blog, MandolinCafe.com in conversations with other high-end names. The website, Mando Mutt, is the exclusive dealer for Skip Kelley mandolins. Mando Mutt’s owner,…
Bill Clifton—Red Rector—Don Stover: The First Generation, A Bluegrass Experiment
By Dick Spottswood Reprinted from Bluegrass Unlimited Magazine August 1978, Volume 13, Number 2 Over thirty years ago an astute jazz promoter named Norman Granz had an idea. Big bands had dominated the jazz and pop scenes before World War II, producing much of the significant talent which emerged during the era. But between the…