Articles
IssueM Articles
The Music and Times of Jim Lunsford
Part 1: Jim Lunsford: Growing music from the mountains and beyond At a Charlotte, North Carolina, studio in April 1954, 26-year-old Jimmy Lunsford cranked up wild fiddle solos on “Dixie Breakdown,” a tune he’d written with banjo innovator Don Reno. Lunsford’s presence on Don Reno & Red Smiley releases was just one of the creative…
Notes & Queries – May 2025
Q – I am a big fan of Ernie Thacker and know that he was in Ralph Stanley’s band from 1988-1994. I am trying to find all the albums that feature him singing lead with Ralph Stanley & the Clinch Mountain Boys. Do you happen to know the titles of the albums that Ernie was…
Richard Hefner of the Black Mountain Bluegrass Boys
A West Virginia Bluegrass Legend’s Signature Song Revived for Modern Times by Kenny and Amanda Smith Pocahontas County is not only one of the most beautiful counties in West Virginia, it is one of the most nature-filled regions in all of the 400-year-old Appalachian Mountain chain. The county, which contains the headwaters of eight rivers,…
Carter & Cleveland
There’s more to harmony than simply playing the right notes. Some musicians have that special something, hard to name but impossible to overlook. Jason Carter and Michael Cleveland’s latest project Carter and Cleveland—their first collaboration of its kind—is Exhibit A.The friendship between the two fiddlers began back in their teens. When Cleveland was about thirteen,…
Monroe Crossing
Celebrating 25 Years The Minnesota-based bluegrass band, Monroe Crossing, is celebrating its 25th year in the entertainment business. Three founding members, Matt Thompson-mandolin, Lisa Fuglie-fiddle, and Mark Anderson-bass, were joined by Derek Johnson-guitar in 2011. The group utilizes a cadre of very talented banjo players, all of whom are alumni of the group, most recently…
J.D. Crowe
Reprinted from Bluegrass Unlimited Magazine April 1995, Volume 29, Number 10 J.D. Crowe has been described as a “musician’s musician” and indeed the subtlety of his playing and his clever innovations are the type of things frequently best appreciated by other musicians. Yet Crowe’s popularity has been far from limited to pickers. The enthusiastic response…





