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IssueM Articles

Mike Compton and Joe Newberry

Photo by Scott Simontacchi After fifteen years playing together, Mike Compton and Joe Newberry are releasing their first studio album Home in My Heart. The project combines new arrangements of old standards and original songs with a traditional flavor, delivered clean and spare. The result showcases their unique blend of vocal harmony and instrumental virtuosity….

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Shady Lane

Claw hammer banjo player Brad Kolodner has long been a spark plug on the old-timey-Celtic music scene. He’s toured and recorded extensively with his father, Ken, founder of the ground-breaking band Helicon. Brad is also a founder of the acoustic roots quintet Charm City Junction. For his latest outing, an all-instrumental collection of kick-up-your heels…

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IBMA 2024

Musicians and Community Support One Another Photos by Ricky Davis 2024 was preordained to be a bittersweet IBMA year, like a high school graduation, throwing caps in the air, fully realizing that the World of Bluegrass landscape as we knew it was about to change. After 12 years in Raleigh—a period long enough to be a…

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Live at Greenfield Lake

If there’s a complaint to be made about the Steep Canyon Rangers’ 2021 live album North Carolina Songbook, it’s that it was too short. At eight songs, the album covered a range of artists from Thelonious Monk to James Taylor to Ben E. King to Doc Watson. It met rave reviews and was nominated for…

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JoAnne, Roland, Eric Jr. and Clarence White play on the Riverside Rancho TV program (mid-1950s). Bluegrass Unlimited Magazine Archives

The New Sound of Bluegrass America

The story of one of America’s greatest bluegrass bands begins in Maine in the French-speaking home of Eric and Mildred LeBlanc. The LeBlanc family was of French-Canadian stock from New Brunswick, Canada, and they were a musical lot. Three of the LeBlanc sons were especially musical. Sometime around 1950, the family began using the Anglicized…

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Bluegrass Tracks

Andy Statman grew up in Queens on rock and roll music, took mandolin lessons from David Grisman, wanted his Jewish heritage to be a part of his art and his work is described on his website as “spontaneous American-roots music and personal, prayerful hasidic music, by way of avant-garde jazz.”  So naturally, listeners would expect…

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