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Wayne Henderson—Music Making Mountain Man

Reprinted from Bluegrass Unlimited Magazine February 2007, Volume 41, Number 8 As I pulled off 1-81 at the Marion, Va. exit and headed into the mountains on Rt. 16, I recalled the first time I ever met Wayne Henderson. I had enrolled in a guitar workshop at the Augusta Heritage Center in Elkins, W.Va., and…

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A Quarter Century of Bluegrass Fiddling — Clarence “Tater” Tate

Reprinted from Bluegrass Unlimited Magazine November 1973, Volume 8, Number 5 Among bluegrass musicians, fiddlers have frequently achieved special attention. At a number of festivals in recent years fiddlers such as Tex Logan, Chubby Wise or Howdy Forrester make guest appearances and occasionally several fiddlers perform at once on stage. Not even the banjo —…

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Notes & Queries – November 2024

Q – Did the Stanley Brothers, or Ralph Stanley for that matter, ever record with a Dobro? I’ve got just about everything the Stanley Brothers recorded, including the Rich-R-Tone stuff, the Columbia, Mercury, and King recordings. I don’t remember them recording with a Dobro. Bill Monroe, Lester Flatt & Earl Scruggs pre-mid ‘50s, and Reno…

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The Basic Goodness of J. W. Gallagher

Reprinted from Bluegrass Unlimited Magazine August 1979, Volume 14, Number 2 A couple of summers ago in Harris, North Carolina, guitar maker John William Gallagher sat on a board stretch across some concrete blocks for seating at a bluegrass festival and remarked, “I don’t play myself, but I take pleasure in others enjoying what I…

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Photo by sandy hatley

A Small Business With Big Impact

The old saying “good things come in small packages” rings true for Lowe Vintage Instrument Company in Burlington, North Carolina.  The small store front located beside a photography studio and vintage vinyl record store in the historic downtown district appears neat, clean, and quiet from the outside, but it’s what’s on the inside that draws…

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From China To Appalachia

This intriguing, East-meets-West collaboration started at the Strathmore Music Center, near Washington, D.C., where Chao Tian, a visual artist and master of the Chinese hammered dulcimer, was artist in residence. Tian’s music caught the attention of Maryland-based folk veterans Cathy Fink and Marcy Marxer, and the result is this imaginative collaboration, which they’ve since taken…

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