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IssueM Articles

Bronwyn standing in the road holding her fiddle.

Bronwyn Keith-Hynes

Proving Bluegrass is Alive and Well Photos by Jake’s Visuals Shortly after I accepted the job as the managing editor of Bluegrass Unlimited magazine, I received an email from a subscriber expressing his concern about the state of bluegrass music. His contention was, “Bluegrass is dead. Young people just aren’t interested in it anymore.” With…

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Group photo of the band smiling with their instruments

Fireside Collective: The New Generation of Bluegrass

Photos by Heather Hambor Just like the name of their third CD, Elements, Fireside Collective is a multifarious music group melding together a variety of influences. “We have always been inspired by the creativity and excitement of Bill Monroe and the Bluegrass Boys, Flatt and Scruggs and the Foggy Mountain Boys, The Stanley Brothers and…

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Wes Corbett playing his banjo in his living room with his cat

Wes Corbett

Pushing the Envelope Photos by Kaitlyn Raitz Growing up on Bainbridge Island, Washington, just west of Seattle, 5-string wizard Wes Corbett had heard bluegrass-style banjo on the radio, most memorably via the Car Talk theme. It didn’t immediately call out to the young, classically-trained pianist. Nor did the vocal strains of the high lonesome sound….

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Album Cover

Cascade

Wes Corbett Padiddle Records “Cascade” is banjoist Wes Corbett’s first solo project since becoming the newest member of the Sam Bush Band. Corbett, a graduate of the Berklee College of Music in Boston, now resides in Nashville where he also teaches banjo. Corbett cites his influences as Earl Scruggs’ banjo style, but also the melodic…

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book cover

Bill Monroe: Solo Transcriptions 1936-1996

By Andy Novara With the publication of his new book, Bill Monroe: Solo Transcriptions 1936-1996, Andy Novara has added a wonderful and valuable new reference book for students of Bill Monroe’s mandolin style. The mandolinist in a band called Riverbend, Novara is a skilled Monroe stylist. He clearly adores and has bonded with Monroe’s unique…

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album cover

Live From The Don Owens Show, Washington, D.C., 1958-1959

Bluegrass Champs Yep Roc Records YEP-2555 I woke up this morning with the chorus of “Rock-a-Bye Boogie” going through my head. Just the words “rock-a-bye boogie” sung over and over, in a syncopated style, to a boogie-woogie beat. I’m obsessed with it. To me, this is the standout number in this collection of live performances…

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