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Patrick McAvinue plays violin outdoors

Patrick McAvinue

A Perfect Fit Between Nashville and Baltimore “I wanted to help bridge the connection between Nashville and Baltimore,” explains fiddler Patrick McAvinue about his latest album, Perfect Fit released in 2019.  For many the relationship between the two cities might seem odd at first, but for Baltimore native McAvinue—who first cut his teeth as youngster…

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Donna and Roni Stoneman sit on top of a red vehicle in matching outfits

Donna and Roni Stoneman and The Legendary Stoneman Family

Before the Carter Family or Jimmie Rodgers ever stood in front of a microphone to record for Ralph Peer, another “hillbilly” artist had already solidly established himself.  Starting in 1924, Ernest Stoneman, the “Unsung Father of Country Music” had recorded a multitude of songs and had a hit record with his self-penned “Sinking of the…

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Gavin plays his guitar

Gaven “Gravy” Largent

Modern Day Dobro Construction from a Traditional Perspective Photos By Jake’s Visuals In our world of bluegrass and acoustic music, the news travels quickly when a young master emerges on the scene. The sound of the Dobro1 in this artist’s hands puts the icing on the cake, or in this case the Gravy (self-penned moniker)…

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A Preston Thompson guitar lying in a bed a plants

A 21st Century Bluegrass Guitar From Oregon’s High Desert

The D-MA from Preston Thompson Guitars in Sisters, Oregon has almost no interest in impersonating a vintage D-18. And that’s exactly what makes it such a compelling and distinctively modern flatpicking guitar. Even though it shares the basic D-18 DNA of a mahogany dreadnought body with a forward-shifted, scalloped-braced, tap-tuned Adirondack top, the Thompson D-MA…

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Black and white image of Sally smiling and playing her instrument

Sally Ann Forrester

The Original Bluegrass Girl Pulling Her Own Weight With the Blue Grass Boys Reprinted from Bluegrass Unlimited Magazine June 2000, Volume 34, Number 12 One of the standard beliefs about bluegrass music is that, in its formative years,bluegrass was “almost completely a male domain,” as Bufwack and Oermann describe itin Finding Her Voice: The Saga…

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Black and white image of Graves playing his guitar.

1967 Reader Poll Results

Photos By Edwin G. Huffman Reprinted from Bluegrass Unlimited Magazine April 1968 (Volume 2, Number 10) My first knowledge of the BU poll, as for most other subscribers, came whenI arrived at the last page of my December issue, I’ve always wanted to know more about the kind of people interested enough in bluegrass to…

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