Articles

Reprinted from Bluegrass Unlimited MagazineJune, 1985. Volume 19, Number 12 The photograph John Hartford considers his favorite tells a lot about the man. It depicts him standing between two of the biggest influences on his life, Earl Scruggs and his fifth grade teacher, Miss Ruth Ferris. You also need to know about his modesty. Listen:…

By the time it got into Tony Rice’s hands, the iconic 1935 Martin D-28 had seen more than its fair share of wear.  Known as “The Antique” or “58957”, the guitar rested under Joe Miller’s bed for nine years before Tony acquired it in 1975 and soon brought it to Randy Wood for a neck…

Photo by Bud Osborne Maybe it’s something in the Pacific Northwest’s air or water, or perhaps it’s being surrounded by the grand mountain forests of Idaho and the Pacific Coast that inspires brilliant luthiery. But whatever it is, that majestic region has spawned some of the world’s finest woodsmiths, including mandolin masters Michael Heiden, Fletcher…

A mirage to most modern day music fans, the Red Slipper Lounge in Lexington, Kentucky has long been heralded for bluegrass music. Known for being the stomping ground for JD Crowe and The Kentucky Mountain Boys (and later The New South) for six nights per week from 1968 to 1975, the venue had a reputation…

By Andy Novara With the publication of his new book, Bill Monroe: Solo Transcriptions 1936-1996, Andy Novara has added a wonderful and valuable new reference book for students of Bill Monroe’s mandolin style. The mandolinist in a band called Riverbend, Novara is a skilled Monroe stylist. He clearly adores and has bonded with Monroe’s unique…

Bluegrass Champs Yep Roc Records YEP-2555 I woke up this morning with the chorus of “Rock-a-Bye Boogie” going through my head. Just the words “rock-a-bye boogie” sung over and over, in a syncopated style, to a boogie-woogie beat. I’m obsessed with it. To me, this is the standout number in this collection of live performances…