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Tony Rice: East Meets West

Reprinted from Bluegrass Unlimited Magazine October 1977. Volume 12, Number 4 It was a hot September evening in Louisville, Kentucky seven years ago when I first met a skinny teenage guitar player named Tony Rice. He had just landed his first job with a full-time bluegrass band and was obviously totally immersed in music. Tony’s…

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Sturgill Butcher Shoppe Semi Song

Back to Cuttin’ Grass

Although it’s taken him five albums to put out a project with the bluegrass arrangements to match, this is exactly what Sturgill Simpson has done on Cuttin’ Grass – Vol.1 and 2 (The Butcher Shoppe Sessions).  Bluegrass music has long been a part of Simpson’s upbringing—something he credits to his paternal grandfather. However, it took…

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Pete Kuykendall smiles for a photo

IBMA Hall Of Famers Remembered

The Legendary Pete Kuykendall Brought To Life By Peter Rowan When it comes to featuring artists who are honored at the Bluegrass Music Hall of Fame & Museum, located in Owensboro, KY, our goal here at Bluegrass Unlimited Magazine is to look deeper than what you may read on their wall plaque. We will continue…

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Close up image of instrument strings

Wings of a Jetliner

Master mandolin player Nate Lee of the Becky Buller Band (B^3) is flying sky high with the debut of his full-length album, Wings of a Jetliner. But before we board the plane to find out more about his new release, let’s soar back in Lee’s history. Pre-Flight Check List Growing up in Texas, Lee was…

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Patrick McAvinue plays violin outdoors

Patrick McAvinue

A Perfect Fit Between Nashville and Baltimore “I wanted to help bridge the connection between Nashville and Baltimore,” explains fiddler Patrick McAvinue about his latest album, Perfect Fit released in 2019.  For many the relationship between the two cities might seem odd at first, but for Baltimore native McAvinue—who first cut his teeth as youngster…

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Bill Monroe's headstock on display in a gold frame

Bill Monroe’s Gouged Headstock Veneer

If you look at any photo of Bill Monroe holding his mandolin taken between 1950 and 1980, you will notice that the company name, which usually graces the instrument’s headstock, is noticeably missing.  Most die-hard bluegrass fans will know that very early in the 1950s, Bill Monroe shipped his mandolin to the Gibson company for…

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