Articles

Reprinted from Bluegrass Unlimited Magazine May 1974, Volume 8, Number 11 “Deacon Dan” Crary is perhaps theology’s best-known contemporary bluegrass musician. Other professions, of course, have their representatives in the Bluegrass Hall of Fame … John Starling operates for the medical doctors, and commercial artists can boast Mike Auldridge (both of the Seldom Scene). But…

Reprinted from Bluegrass Unlimited Magazine February 1982, Volume 16, Number 8 For years the role of women in country music has been a topic of discussion by critics and historians of that field of popular entertainment. From one extreme come statements such as that of author Dorothy Horstman who has said that “Country music until…

Reprinted from Bluegrass Unlimited Magazine June 1974, Volume 8, Number 12 The following conversation occurred after The Seldom Scene had finished their evening concert at the Red Fox restaurant in Bethesda, Maryland. It’s their story—it’s told the way they want to tell it in the hope that the reader may gain a valuable insight into…

This is the last in our series of sixteen articles about the historic tour that the Japanese band Bluegrass 45 took fifty years ago in the summer of 1971.  In order to help us come full circle, we would like to offer some memories of that summer from legendary bluegrass banjo player Ben Eldridge, who…

Recording: All the Bluegrass 45 Rebel recordings were done at the Roy Homer Studio in Clinton, Maryland.  Roy recorded many of Rebel albums including Ralph Stanley, Country Gentlemen, Emerson & Waldron, Cliff Waldron, Seldom Scene (Act I).  It was pre-digital era and everything was analog—meaning the band would play a song, Roy would mix all…

Reprinted from Bluegrass Unlimited Magazine May 2008, Volume 42, Number 11 Bill Emerson is back. To the delight of his many fans and peers, he has recently returned to the bluegrass music scene and, this time around, playing in his own band—Bill Emerson & the Sweet Dixie Band. Debuting at the 2007 World Of Bluegrass…