Articles

Reprinted from Bluegrass Unlimited Magazine August 1980, Volume 15, Number 2 It all started with mama. It seemed like she could make music on about anything with strings on it and some things that didn’t, like the french harp. There never was enough time for mama to play, what with raising six rambunctious sons. But…

Reprinted from Bluegrass Unlimited Magazine May 1993, Volume 27, Number 11 The creases around his eyes cast deeper shadows now and distinguished touches of gray highlight his beard. Gone is the skinny young man who was thrilled to have Byron Berline and Jethro Burns play on his solo album. In his place stands a mature,…

Photos by Lance LeRoy Reprinted from Bluegrass Unlimited Magazine October 1982, Volume 17, Number 4 The classic bluegrass music sound as most refer to it today was born in Nashville, Tennessee, on a Saturday night in the latter part of 1945, when Bill Monroe, Lester Flatt, Earl Scruggs, Howard (Cedric Rainwater) Watts and “Chubby” Wise…

Bluegrass fans are always impressed by the musicians who can play blistering fast solos with accuracy, clarity and tone. This skill is certainly impressive and a guy like mandolin player Josh Rilko knows how to do it. However, the thing that impresses me the most about Josh’s mandolin playing is his ability to play solos…

Just one more year. That mantra still runs through the mind of Special Consensus co-founder Greg Cahill. The banjoist and band leader who started the long-running bluegrass group wanted to play music for a living, but for many years, he had more bills to pay in one hand than dollar bills brought in from the…

Now Touring with Molly Tuttle Molly Tuttle showed up at the ROMP Festival in June of 2025 with a new band (it was their fifth performance).  The configuration of the band she traveled with during the previous few years, Golden Highway, included acoustic guitar, banjo, mandolin, fiddle, and upright bass.  Her new band was a…