Articles

Photos Courtesy of The Earl Scruggs Center It’s no exaggeration to say Earl Scruggs changed the course of music globally with his innovative 3-finger style of banjo playing. “Scruggs Style,” as it is universally known, is a cornerstone of bluegrass music, and has served as inspiration for latter-day banjo innovators, including Bela Fleck, Tony Trischka,…

Website Opens Up Doors to Heart of Bluegrass Bluegrass music was basically created in Nashville in 1945 when Kentucky native Bill Monroe asked North Carolina fiddler Jim Shumate if he knew of any powerful banjo players who could keep up with his up-tempo music. That is when Shumate introduced Monroe to the innovative three-finger banjo…

We live in a golden era for flat picks, with custom and boutique pick makers producing beautifully fashioned plectrums in a truly bewildering range of space age materials, shapes, and bevels. Into that market comes C.F. Martin with its newly introduced Luxe Contour Pick. Using a shape similar to the Blue Chip TP-1R, it features…

Reprinted from Bluegrass Unlimited Magazine July 1974, Volume 9, Number 1 In some far-flung corners of the world a controversy rages over who was the world’s first chromatic banjo player, but in Nashville, Bobby Thompson—one of those in the dead center of the controversy—pays little heed to it. He’s too busy as Nashville’s top studio…

When Bill Emerson retired from the Navy in 1993, at the age of 55, he was far from retiring from his life in bluegrass music.  He continued to record and perform with various artists and then he later started his band, Bill Emerson and Sweet Dixie.   In an interview conducted by John Lawless and…

Reprinted from Bluegrass Unlimited Magazine May 1975, Volume 9, Number 11 When bluegrass music was in the developmental stage some thirty years ago only five instruments were associated with the music. Those were the ones that appeared in the famous Bill Monroe band of that period—guitar, banjo, mandolin, fiddle and bass. Somewhere along the line…