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Brandon Johnson

Blue Ridge  Music Trails of North Carolina

Website Opens Up Doors to Heart of Bluegrass Bluegrass music was basically created in Nashville in 1945 when Kentucky native Bill Monroe asked North Carolina fiddler Jim Shumate if he knew of any powerful banjo players who could keep up with his up-tempo music. That is when Shumate introduced Monroe to the innovative three-finger banjo…

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Hawthorn Banjos

It just makes sense that the finest musical instruments would be comprised of premier quality parts assembled and crafted by experienced luthiers, and that’s the foundation of Bradford and Company’s Hawthorn™ brand of instruments. If retired lawyer Glenn Bradford can’t find a particular part that meets his quality standards he will make it himself or…

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Story Behind The Song Two Highways

“I don’t know how much of this you can share, but I’ll tell you,” joked Larry Cordle about the story behind one of his earliest compositions.   “Two Highways” dates back to the late 1970s—a pivotal period in the life of this renowned songwriter.  It was recorded first by his childhood friend and musical mentor…

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The Earl Scruggs Center 

Photos Courtesy of The Earl Scruggs Center It’s no exaggeration to say Earl Scruggs changed the course of music globally with his innovative 3-finger style of banjo playing. “Scruggs Style,” as it is universally known, is a cornerstone of bluegrass music, and has served as inspiration for latter-day banjo innovators, including Bela Fleck, Tony Trischka,…

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Phil Salazar

And His Fabulous Fiddle Shop Many of the artists that we interview in Bluegrass Unlimited grew up in musical families.  The majority of them are raised in southeastern regions of the United States where bluegrass and country music was played in their homes from the time they were born.  California native Phil Salazar also grew…

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Alice and Carl Hoffman

Notes & Queries – February 2022

Queries: Q – “Who is Carl E. Hoffman, who wrote ‘Ice Covered Birches,’ recorded by Cliff Waldron and the Po’ Ramblin’ Boys?  It’s a great song, IMO, and rather unusual. It is more complex than most traditional bluegrass songs. The 3/4 time, the powerfully descriptive imagery, the unusual subject matter (there aren’t many Alaskan bluegrass…

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