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All Roads Lead To The Birchmere—America’s Legendary Music Hall

If it wasn’t for the Birchmere, I probably would not have had a career in bluegrass music.  I grew up in Springfield, Virginia and my childhood home was exactly ten miles door-to-door from the second Birchmere, located on Mt. Vernon Avenue in Alexandria.  I then went to college at the U.S. Naval Academy in Annapolis,…

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Mountaintop

Don Schlitz (guitar) is an award-winning songwriter who has garnered two Grammys as well as being inducted into the Songwriters Hall of Fame and the Country Music Hall of Fame. These are just few of his awards as he has written songs for such as Kenny Rogers, Mary Chapin Carpenter, Randy Travis, Keith Whitley, The…

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Desert Heart Mountain Soul

New Englander Chris Brashear is a performer, teacher, and recording artist who plays guitar, fiddle, mandolin, and bass. While living in Arizona he met Peter McLaughlin with whom he has collaborated on a few projects including this one. McLaughlin is also a performer, recording artist, and instructor. He plays guitar and mandolin. Both sing and…

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Sidetrack My Engine

The word authenticity hangs, like a heavy tree limb, over every conversation about roots music. As the umbrella of acoustic music has expanded to cover music that resembles bluegrass and folk in instrumental texture alone, many traditionalists have expressed concern over a divorce from its aural history. They posit that to pick up a banjo…

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Chimney Swifts

Students and aficionados of the clawhammer-style banjo will love this sparkling and captivating debut album by lifelong Baltimore resident Brad Kolodner.  Kolodner, who in the past has performed and recorded extensively with his father Ken (founder and long-time member of the group Helicon) and with Charm City, his own “old-time bluegrass fusion” band, really mixes…

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Better Late Than Never

This Portland, Oregon-based “bluegrass and Americana” band has a swingy, sassy, versatile and captivating style.  You can hear this vividly on the despairing title tune of Never Come Down’s sophomore album. It has a subtle Latin feel. And here, as well on other original cuts, such as the swing-infused “New Year’s Blues,” “Catch Me,” “Sleepin’”…

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