Articles

Nearly seventy-eight years after Earl Scruggs first joined Bill Monroe, Lester Flatt, Chubby Wise, and Howard Watts on stage at the Grand Ole Opry—and defined bluegrass music as we know it today—the music is still thriving.  To a large extent, the continued success of the bluegrass genre is due to the hundreds of bluegrass festivals…

A new record label launched by longtime songwriting collaborators Billy Droze and Chris Myers is turning heads in the bluegrass music industry.  RBR Entertainment is churning out hits on bluegrass radio these days by an ever-growing roster of talented newcomers and established veterans. Droze is the label’s creative director and founder who produces projects at…

A Gem From Coal Country’s Deep Heart Photo by Callie Thomas In today’s hyper-competitive custom luthier marketplace, excellence is only the price of admission for new mandolin builders. For an emerging luthier, getting noticed under the blinding luminescence of top-tier builders like Heiden, Kimble, Ellis, McClanahan and more means building instruments early in your career…

Reprinted from Bluegrass Unlimited Magazine January 1981, Volume 15, Number 7  The song on the radio was barely audible over the din of our bluegrass party, but there was something unusual, something “extra lonesome” in the voice filtering through the room that made you stop and listen. The power and intensity were enough to impress…

Reprinted from Bluegrass Unlimited Magazine February 1979, Volume 13, Number 8 The room is long and dimly lit, the tables packed closely together. Family groups sit elbow-to-elbow facing the stage, which occupies the width of the narrow room. The loud hum of conversation is punctuated by the sound of children’s laughter and the scrape of…

Reprinted from Bluegrass Unlimited Magazine September 1981, Volume 16, Number 3  Of the many mandolin-guitar groups of the thirties, none was of greater importance, in terms of tradition, than Bill and Earl Bolick, popularly known as ‘The Blue Sky Boys.’” So writes Bill C. Malone in his book, “Country Music U.S.A., A Fifty Year History.”…