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Just Off the Wilderness Road, Songs of the Cumberland Gap Region
A concept album of 16 songs focusing on stories and characters from the Cumberland Gap area of Tennessee, Kentucky and Virginia takes the listener back in time. Twenty-seven artists whose familes are originally from the region are featured, with lead vocals from Teddy Cosby, Bryan Turner, Phillip Powers, James Clark, Joseph Wilson, Randall Massengill, Jason…
Blue Ridge Music Trails of North Carolina
Website Opens Up Doors to Heart of Bluegrass Bluegrass music was basically created in Nashville in 1945 when Kentucky native Bill Monroe asked North Carolina fiddler Jim Shumate if he knew of any powerful banjo players who could keep up with his up-tempo music. That is when Shumate introduced Monroe to the innovative three-finger banjo…
The Earl Scruggs Center
Photos Courtesy of The Earl Scruggs Center It’s no exaggeration to say Earl Scruggs changed the course of music globally with his innovative 3-finger style of banjo playing. “Scruggs Style,” as it is universally known, is a cornerstone of bluegrass music, and has served as inspiration for latter-day banjo innovators, including Bela Fleck, Tony Trischka,…
Hawthorn Banjos
It just makes sense that the finest musical instruments would be comprised of premier quality parts assembled and crafted by experienced luthiers, and that’s the foundation of Bradford and Company’s Hawthorn™ brand of instruments. If retired lawyer Glenn Bradford can’t find a particular part that meets his quality standards he will make it himself or…
Don Bryant
A Short— But Brilliant— Bluegrass Career Don Bryant’s experience playing bluegrass in the mid-1950s would be the envy of any professional bluegrass musician. In the span of just a few short years, Don performed with Benny and Vallie Cain, Bill Harrell, Mac Wiseman, and then for nearly three months he subbed for Earl Scruggs with…
Notes & Queries – February 2022
Queries: Q – “Who is Carl E. Hoffman, who wrote ‘Ice Covered Birches,’ recorded by Cliff Waldron and the Po’ Ramblin’ Boys? It’s a great song, IMO, and rather unusual. It is more complex than most traditional bluegrass songs. The 3/4 time, the powerfully descriptive imagery, the unusual subject matter (there aren’t many Alaskan bluegrass…