Articles

Reprinted from Bluegrass Unlimited Magazine July 1975, Volume 10, Number 1 The grassy pasture land an hour’s drive above Augusta, Georgia, had turned into a field of wet grass and mud due to the heavy rains which had drenched the bluegrass music fans several hours earlier. Finally, the heavy rain had subsided to a mild…

Australia’s New South Wales is a long, long way from the hills and hollows of Virginia and Kentucky. Yet after listening to this delightful album from Australian wunderkind Angus Gill, it sure doesn’t sound that far away at all. The collaborators who’ve pitched in with Gill as cowriters and studio collaborators—Jerry Salley and Jim Lauderdale among them—are…

If you don’t know the tale of Roland White and brothers Clarence and Eric White,  who were born in Maine, moved as kids to California, and influenced every subsequent generation of bluegrassers, then you don’t know the full story of bluegrass. Fortunately, Bob Black’s superb new biography of the oldest of the White brothers demonstrates,…

On her first release as a bandleader, Molly Tuttle displays all the talents and traits that have helped her rise to the summit of the modern bluegrass pyramid. On Crooked Tree, she’s also invited most of her peer group including Billy Strings, Sierra Hull, Bronwyn Keith-Hynes, Ketch Secor, and Dominick Leslie, as well as grizzled…

Sometimes, when faced with an album the reviewer likes and appreciate the artistry involved, it is challenging to describe the work when it doesn’t really fit anywhere.  That’s the case with Indoor Vistas, the latest effort from Ethan Sherman.  From the stunning cover art to the first-class picking, it’s all enjoyable — but it doesn’t…

Joshua Rilko’s debut album, Lost Soul/Rock & Roll, is modern is all aspects of the word. It began as a Kickstarter project that exceeded the goal and has two distinctly different “sides” — one is bluegrassy and the other, while labeled “rock & roll,” really is more Americana-ish. A mandolin player, Rilko was formerly with…