Articles

Reprinted from Bluegrass Unlimited Magazine June 1984, Volume 18, Number 12 Good as Gold and fine as diamonds, worth its weight in waiting for …” The sounds that ring through the capacity-filled hall are familiar to the cheering fans. The sounds have been produced, recorded, and enjoyed for over 26 years. There have been several…

Reprinted from Bluegrass Unlimited Magazine January 1986, Volume 20, Number 7  He’s rarely played in public over the past two decades, and he’s not on many records, but Porter Church remains among the most eloquent of five-string banjo players. I may as well say it: in my opinion, when it comes to “golden era” bluegrass…

Reprinted from Bluegrass Unlimited Magazine January 1980, Volume 14, Number 7 The family band is a noble, long-standing tradition in bluegrass and traditional country music, extending back even further than the Carter Family, quite possibly as far back as the beginning of the string band itself. Today, the family unit is as strong as ever…

Tim Stafford and Thomm Jutz have delivered us a real gem here. Lost Voices is an album over a hundred years in the making, spun of tales that are distant, yet closely connected. It is a record that has traveled the land through mountains and heart worn highways of America. With the exception of the…

Although the title of this album suggests departure, when you start listening it feels like you’re arriving at a family cookout. The musicians are the well-seasoned burgers, brats and brisket and the notes of their instruments are flowing like cousin Joe’s famous apple wine. The songs are all the comfort food fixin’s you love, speaking…

Originally from New York, Alex Graf picked up the guitar at the age of twelve and over the following years had immersed himself studying jazz by such greats as John Coltrane, Thelonious Monk, and Charlie Parker. Moving to Colorado in 2017, he discovered there was also a home for him in bluegrass music, becoming influenced…