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Life’s Been Good

Based in the New York area, the band is led by Ed Krizni (guitar), and is joined on this project by Ron Trotta (banjo), Bill Turner (resonator guitar), Travis Wetzel (fiddle, mandolin), Alice Harmon (dulcimer), Larry Greybill (bass), Joe Fili (fiddle), and Justin Sitler (banjo, guitar).    This release is a 2-CD 40-song collection of…

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Little Roy Lewis

The Entertainer Photo by Gary Hatley Legendary performer, Ronnie Reno, readily agreed, “Little Roy Lewis is probably the best entertainer in bluegrass and gospel music. You never know what he’s going to do, but you know it will be wild and entertaining. He knows how to get your attention and brings out the funny side…

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Danny Stewart (bottom right with singer/guitarist Greg Blake sitting behind him) at a jam session on the Alaska bluegrass cruise in 2017.

A Passion for Promoting

Nearly seventy-eight years after Earl Scruggs first joined Bill Monroe, Lester Flatt, Chubby Wise, and Howard Watts on stage at the Grand Ole Opry—and defined bluegrass music as we know it today—the music is still thriving.  To a large extent, the continued success of the bluegrass genre is due to the hundreds of bluegrass festivals…

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RBR Entertainment  Rises Like A Phoenix

A new record label launched by longtime songwriting collaborators Billy Droze and Chris Myers is turning heads in the bluegrass music industry.  RBR Entertainment is churning out hits on bluegrass radio these days by an ever-growing roster of talented newcomers and established veterans. Droze is the label’s creative director and founder who produces projects at…

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Dave Evans—The Voice of Traditional Bluegrass

Reprinted from Bluegrass Unlimited Magazine January 1981, Volume 15, Number 7  The song on the radio was barely audible over the din of our bluegrass party, but there was something unusual, something “extra lonesome” in the voice filtering through the room that made you stop and listen. The power and intensity were enough to impress…

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The Special Consensus—Bluegrass, Chicago Style

Reprinted from Bluegrass Unlimited Magazine February 1979, Volume 13, Number 8 The room is long and dimly lit, the tables packed closely together. Family groups sit elbow-to-elbow facing the stage, which occupies the width of the narrow room. The loud hum of conversation is punctuated by the sound of children’s laughter and the scrape of…

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