Articles

Feeling the Joy Of Playing Together Again Photo by Sandlin Gaither It was March 2020. (Cue ominous music.) The Foghorn Stringband was looking forward to their East Coast tour. Reeb Willms and Caleb Klauder were flying in from Portland West (Oregon); Nadine Landry and Sammy Lind were flying in from Quebec. Nadine: “We were starting…

Are you looking to attend to a music camp or workshop this year?   Camps and workshops are a great way to study with top professional players and talented instructors.  Camps and workshops also provide you the opportunity to meet new friends and jamming partners.  Below is a list of camps and workshops organized by…

In 1967, and again in 1971, Bluegrass Unlimited Magazine presented a Reader’s Poll and we have decided to bring it back in 2023.  There are a lot of categories that we might have selected to include in this poll, however, we decided to stay with tradition and use the same categories that we have used…

Reprinted from Bluegrass Unlimited Magazine February 1983, Volume 17, Number 8 As the decade of the 1960s dawned, at the peak of a rediscovery of American folk and mountain music, John Herald found himself at the forefront of the movement as part of the critically heralded group called The Greenbriar Boys. Now—with a revitalized band…

Reprinted from Bluegrass Unlimited Magazine May 1983. Volume 17, Number 11 Jimmy Arnold popped in and out of the bluegrass scene in the seventies. During that time, the Virginia native managed to record one banjo and one guitar album for Rebel. Jimmy also put in a few years playing mainly banjo with Joe Greene, Cliff…

Reprinted from Bluegrass Unlimited Magazine December 1976, Volume 11, Number 6 To those who appreciate most the superb classic bluegrass music of the late 1940s and early 1950s as exemplified by Bill Monroe’s Blue Grass Boys, early Flatt and Scruggs, Reno and Smiley or the Lonesome Pine Fiddlers, few current groups arouse as much esteem…