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Still Standing

North Carolina’s Gospel Plowboys are a group seriously dedicated to spreading the word of Christ through music. The group is Michael Jenkins (guitar, vocals), Kris Miller (vocals), Andrew Brown (bass, mandolin, vocals), Alec McCallister (fiddle), David Brown (bass, vocals), and Peden Williams (banjo). Joining the band on this project is guest Chris Burton (banjo).  The…

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Closer Than I’ve Ever Been

Daniel Crabtree, a gifted and divinely inspired songwriter with an engaging roughhewn vocal style, is a man on a mission.  As he explains in the press material accompanying his fifth album: “I believe a spiritual battle is going on inside man and the world …. As Christians, we should be willing to take on the…

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Life’s Been Good

Based in the New York area, the band is led by Ed Krizni (guitar), and is joined on this project by Ron Trotta (banjo), Bill Turner (resonator guitar), Travis Wetzel (fiddle, mandolin), Alice Harmon (dulcimer), Larry Greybill (bass), Joe Fili (fiddle), and Justin Sitler (banjo, guitar).    This release is a 2-CD 40-song collection of…

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Hangovers & Heartaches

It’s not often that bands go on a 10-year hiatus and decide to give things another go.  Traditional bluegrass fans should be glad an old gravestone inspired Maine-based Breakin’ Strings to make the trek to Nashville to produce Hangovers & Heartaches. Cliff Gelena, a third generation bluegrass performer, heads up the group with lead vocals,…

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Danny Stewart (bottom right with singer/guitarist Greg Blake sitting behind him) at a jam session on the Alaska bluegrass cruise in 2017.

A Passion for Promoting

Nearly seventy-eight years after Earl Scruggs first joined Bill Monroe, Lester Flatt, Chubby Wise, and Howard Watts on stage at the Grand Ole Opry—and defined bluegrass music as we know it today—the music is still thriving.  To a large extent, the continued success of the bluegrass genre is due to the hundreds of bluegrass festivals…

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Dave Evans—The Voice of Traditional Bluegrass

Reprinted from Bluegrass Unlimited Magazine January 1981, Volume 15, Number 7  The song on the radio was barely audible over the din of our bluegrass party, but there was something unusual, something “extra lonesome” in the voice filtering through the room that made you stop and listen. The power and intensity were enough to impress…

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