Articles

Reprinted from Bluegrass Unlimited Magazine September, 2004. Volume 39, Number 3 Since she burst into national prominence with her debut solo album on Doobie Shea Records, “Cherry Blossoms In The Springtime,” in 1999, Jeanette Williams has proven she has the stuff to persevere for the long haul as a bandleader and artist. Despite personnel changes,…

Reprinted from Bluegrass Unlimited Magazine August 1993, Volume 28, Number 2 After a 12-year absence from regular performing, mandolin hero Herschel Sizemore has returned to fulltime performing with the Bluegrass Cardinals. Sizemore, who had been active throughout the ’50s, ’60s and ’70s had taken a job with Purolator Courier and worked for them from 1974…

Reprinted from Bluegrass Unlimited Magazine February 1994, Volume 28, Number 8 A wealth of bluegrass history has been made in the counties along the central North Carolina/Virginia border. This area was a mainstay on the circuit for Reno & Smiley, Flatt & Scruggs, and other first generation bands. It became the home of promoter Carlton…

Reprinted from Bluegrass Unlimited Magazine May 1979, Volume 13, Number 11 In October of 1977, when Butch visited Los Angeles as a member of Bill Monroe’s Blue Grass Boys, we first discussed the idea of the following article. During the winter months we corresponded and when I was offered a job on the road this…

I attended my first Walnut Valley Festival in Winfield, Kansas in September of 1996.  I had just started publishing Flatpicking Guitar Magazine and since the Walnut Valley Festival hosts the National Flatpicking Guitar Championship, Winfield seemed to be a good place for me to be.  At the time, I had only printed one issue and…

Apparently, being in one of the hottest bluegrass bands going wasn’t enough for Laura Orshaw, so she has put out a smoking solo album.  Solitary Diamond is loaded with well-known guests, but make no mistake—it is the jumping fiddle and strong vocals of Orshaw that get showcased in this must-have CD. There are a handful…