Articles

Reprinted from Bluegrass Unlimited Magazine March 1982, Volume 16, Number 9 They call him “The Old Man of the Mountains.” At the spry age of forty-two, that makes Raymond Fairchild a rather youthful “old man.” No matter. The mountains can age you before your time and Raymond has lived far enough back in the Smoky…

Reprinted from Bluegrass Unlimited Magazine June 1984, Volume 18, Number 12 Good as Gold and fine as diamonds, worth its weight in waiting for …” The sounds that ring through the capacity-filled hall are familiar to the cheering fans. The sounds have been produced, recorded, and enjoyed for over 26 years. There have been several…

Reprinted from Bluegrass Unlimited Magazine January 1986, Volume 20, Number 7  He’s rarely played in public over the past two decades, and he’s not on many records, but Porter Church remains among the most eloquent of five-string banjo players. I may as well say it: in my opinion, when it comes to “golden era” bluegrass…

Reprinted from Bluegrass Unlimited Magazine January 1980, Volume 14, Number 7 The family band is a noble, long-standing tradition in bluegrass and traditional country music, extending back even further than the Carter Family, quite possibly as far back as the beginning of the string band itself. Today, the family unit is as strong as ever…

Vibrant Branches Sprout From Deep Roots Married partners Natalya Zoe Weinstein and John Cloyd Miller are living proof that music brings people from vastly different backgrounds and geographical regions together, and that the result can be an amazingly rich creative collaboration.  Natalya grew up in the college town of Amherst, Massachusetts, with a violinist mother and…

Q: I’m trying to find out who the Foggy Mountain Boys were who played on the original “Foggy Mountain Breakdown.” Thanks. Arthur Liblit, via email. A: According to research by Neil Rosenberg that was published in the booklet to a 1991 Bear Family boxed set of Flatt & Scruggs recordings, the personnel on the original…