Articles

For many of us with a fascination with both the tonalities and the designs of vintage instruments, a visit to a place like Gruhn Guitars in Nashville, with its collection of guitar rarities, is like to a visit to the Louvre in Paris or the Boston Institute of Fine Arts. In a virtual sense, this…

Over the past 15 years or so, the guitar industry has embraced a controversial, even divisive, new trend: relicing new guitars to make them sound, appear and feel like they’ve been played for decades. Some people love this, and companies like Pre War Guitar Co. have carved a strong niche in this area. Others, however,…

Though still a relatively young man, Ben Krakauer has put together a remarkable career. He’s been a professor and lecturer at a number of prestigious universities. He’s an ethnomusicologist who has studied and written on topics ranging from experimental bluegrass in New York City in the 1970s to the dotara players of West Bengal. Krakauer…

Reprinted from Bluegrass Unlimited Magazine December 1977, Volume 12, Number 6 Alot of things have transpired with the Osborne Brothers and their innovations and contributions to bluegrass music. While they have been the subject of many comments about going electric, adding drums, and basically experimenting within the general framework of the music, Sonny and Bobby,…

Reprinted from Bluegrass Unlimited Magazine March 1978, Volume 12, Number 9 Together only four years, The Lost and Found of southwest Virginia is rapidly cutting a favorable swath across the bluegrass entertainment field with a Duke’s mixture of traditional and modern bluegrass sounds, all arranged in a distinct, creative style. In addition to bringing musical…

Photos by Greg Reed Reprinted from Bluegrass Unlimited Magazine May 1984, Volume 18, Number 11 Lester Flatt had been gone almost four and a half years, and Earl Scruggs couldn’t be there, but the reunion of the Foggy Mountain Boys at Blue Grass Park, Camp Springs, N.C., Saturday, September 3, 1983 was a milestone in…