Articles
IssueM Articles
The John Herald Band
Reprinted from Bluegrass Unlimited Magazine February 1983, Volume 17, Number 8 As the decade of the 1960s dawned, at the peak of a rediscovery of American folk and mountain music, John Herald found himself at the forefront of the movement as part of the critically heralded group called The Greenbriar Boys. Now—with a revitalized band…
Jimmy Arnold: Back Again and Ridin’ High
Reprinted from Bluegrass Unlimited Magazine May 1983. Volume 17, Number 11 Jimmy Arnold popped in and out of the bluegrass scene in the seventies. During that time, the Virginia native managed to record one banjo and one guitar album for Rebel. Jimmy also put in a few years playing mainly banjo with Joe Greene, Cliff…
The Shenandoah Cutups: Classic Bluegrass From A Newer Group
Reprinted from Bluegrass Unlimited Magazine December 1976, Volume 11, Number 6 To those who appreciate most the superb classic bluegrass music of the late 1940s and early 1950s as exemplified by Bill Monroe’s Blue Grass Boys, early Flatt and Scruggs, Reno and Smiley or the Lonesome Pine Fiddlers, few current groups arouse as much esteem…
On The Hallelujah Turnpike With the Lewis Family
Reprinted from Bluegrass Unlimited Magazine June 1980, Volume 14, Number 2 The streets of Lincolnton, Georgia, a small community in eastern middle Georgia, were dark and quiet one recent Sunday about 3 a.m. as the large, silver and green touring bus brought The Lewis Family, bluegrass-gospel music singing group, home from Friday and Saturday appearances…
Unemployed Musicians Baseball League
Baseball, as America’s national pastime, has endured through many of the country’s toughest, most trying epochs. Civil war soldiers played the game, and prisoners of war during that time played every chance they got. Major League Baseball became a focal point for civil rights when Jackie Robinson broke the color barrier in the mid-1940’s, and…
Peripheral Visions
Grant Gordy is one of the leading contemporary practitioners of “Dawg Music.” “Dawg” is a style pioneered by mandolin master David Grisman back in the 1970s when he headed a quintet that featured, among others, guitarist Tony Rice and fiddle player Darrell Anger. This hybrid strain contains elements of bluegrass, gypsy jazz, bee-bop and so-called…