Articles

IssueM Articles

Still Standing

North Carolina’s Gospel Plowboys are a group seriously dedicated to spreading the word of Christ through music. The group is Michael Jenkins (guitar, vocals), Kris Miller (vocals), Andrew Brown (bass, mandolin, vocals), Alec McCallister (fiddle), David Brown (bass, vocals), and Peden Williams (banjo). Joining the band on this project is guest Chris Burton (banjo).  The…

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The Wishful Thinkers’  Hall of Fame

The Matchsellers are a mid-Western group based on the duo of Andrew Morris (guitar, vocals), and Julie Bates (fiddle, vocals). They are joined on this new project by Brian McCarty (mandolin, vocals), and Brandon Day (bass, vocals). The “Wishful Thinkers’ Hall Of Fame” is an imaginary collection of characters which the project purports to be…

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Bayou Boys publicity photo—Seated Buck Austin (Pete Pike was not available for the photo shoot). Standing (left to right) Buzz Busby, John Hall and Don Stover. Photo Courtesy of John Hall

Classic Fiddler From The Early Days Of Bluegrass

John William Hall was born on November 29, 1933 near Front Royal, Virginia and grew up on a small family farm. He went to the Washington, D.C. area in 1951 and soon became an important part of the area bluegrass scene. In 2005, Tom Mindte spoke with John in connection with a book he and…

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Life’s Been Good

Based in the New York area, the band is led by Ed Krizni (guitar), and is joined on this project by Ron Trotta (banjo), Bill Turner (resonator guitar), Travis Wetzel (fiddle, mandolin), Alice Harmon (dulcimer), Larry Greybill (bass), Joe Fili (fiddle), and Justin Sitler (banjo, guitar).    This release is a 2-CD 40-song collection of…

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Dave Evans—The Voice of Traditional Bluegrass

Reprinted from Bluegrass Unlimited Magazine January 1981, Volume 15, Number 7  The song on the radio was barely audible over the din of our bluegrass party, but there was something unusual, something “extra lonesome” in the voice filtering through the room that made you stop and listen. The power and intensity were enough to impress…

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The Special Consensus—Bluegrass, Chicago Style

Reprinted from Bluegrass Unlimited Magazine February 1979, Volume 13, Number 8 The room is long and dimly lit, the tables packed closely together. Family groups sit elbow-to-elbow facing the stage, which occupies the width of the narrow room. The loud hum of conversation is punctuated by the sound of children’s laughter and the scrape of…

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