Articles

Photos by Haley Gjertsen Mandolin whiz Ashby Frank who lays down the groove for progressive bluegrass group Mountain Heart has spent a quarter of a century recording and touring for other people. But in all that time he hasn’t used his abundance of talent as a singer/songwriter/instrumentalist to showcase his own music until now. His…

C.J. Lewandowski of the Po’ Ramblin’ Boys says that at fifteen years old, when he met Bobby Osborne, one of his heroes, he would never have dreamed of the friendship that would develop between the two musicians. Over the years that followed, Lewandowski, also a mandolin player, learned from Osborne—music lessons and life lessons. In…

Sound systems are an integral part of any musical event. No matter how talented the musicians, they are dependent on competent sound engineers to make sure their instruments and voices are heard in the best possible way. North Carolina’s Blue Ridge Sound, owned and operated by John Holder, is a valuable commodity for promoters and…

By Ivan M. Tribe and John W. Morris Reprinted from Bluegrass Unlimited Magazine January 1980, Volume 14, Number 7 Between 1958 and 1968, Bill Napier established himself as one of the top musicians in bluegrass. Beginning as a sideman with the Stanley Brothers and then as half of the Moore and Napier team, Bill displayed…

Reprinted from Bluegrass Unlimited Magazine August 1983, Volume 18, Number 2 In the short history of bluegrass music many individuals have passed through the few major bands. During the late ’40s and early’50s, bands sporting a contract with a major recording company or privileged with major radio and later TV exposure could be counted on…

Reprinted from Bluegrass Unlimited Magazine March 1972, Volume 6, Number 9 In the early years of bluegrass the mandolin was frequently overshadowed by both fiddle and banjo. Bill Monroe is by no means the only one who took up the mandolin because it was the only instrument not already spoken for by his musician friends….