Skip to content
Register |
Lost your password?
Subscribe
logo
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Tracks
  • The Archives
  • Log in to Your Account
  • Contact
  • Subscribe
  • Search
  • Login
  • Contact
Search
  • Magazine
    • Current Issue
    • Past Issues
    • Festival Guide
    • Talent Directory
    • Workshops/Camps
    • Our History
    • Staff
    • Advertise
    • Contact
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Track
  • The Archives

Home > Articles > Reviews > Laurie Lewis – Skippin’ and Flyin’

Laurie Lewis - Skippin and Flyin - Bluegrass Unlimited

Laurie Lewis – Skippin’ and Flyin’

Bluegrass Unlimited|Posted on May 1, 2012|Reviews|No Comments
FacebookTweetPrint

Laurie Lewis - Skippin and Flyin - Bluegrass UnlimitedLAURIE LEWIS
SKIPPIN’ AND FLYIN’
Spruce and Maple Music
SMM-2006

Laurie Lewis’ Skippin’ And Flyin’ is one of many tributes to Bill Monroe produced in 2011, to highlight the hundredth anniversary of his birth. Lewis combines a mix of Monroe tunes and a mix of originals and old-time classics with a West Coast twist.

The CD opens with a different take on Monroe’s hit “Molly And Tenbrooks,” with “Old Ten Broeck,” borrowing from Cousin Emmy’s version and a 1929 recording by the Carver Boys and then adding lyrics from Mike Seeger with her own arrangement. This gives an up-front indication of the direction Skippin’ And Flyin’ might take. Other Monroe takes include “A Lonesome Road” and “Blue Moon Of Kentucky.” A tip of her hat also goes to the classic Blue Grass Boys, Flatt & Scruggs, with “What’s Good For You” and “I Don’t Care Anymore,” and also to Maybelle Carter with “Carter’s Blues.” Jimmie Rodgers’ “Tuck Away My Lonesome Blues” and Wilma Cooper’s “I Ain’t Gonna Work Tomorrow” get a treatment as well.

Lewis originals include “The Pharaoh’s Daughter,” a song about the princess who saved Moses; “Hartfordtown 1994,” about a circus fire; and “American Chestnuts,” inspired by a photograph in National Geographic magazine. Lewis offers everything from swing fiddle to yodeling in what has to be one of the most varied of the numerous tributes to Big Mon. (Spruce and Maple Music, P.O. Box 9417, Berkeley, CA 94709, www.spruceandmaplemusic.com). MB

FacebookTweetPrint
Share this article
Facebook
X (Twitter)
Linkedin

Leave a Comment Cancel Reply





This site uses Akismet to reduce spam. Learn how your comment data is processed.

May 2025

Flipbook

logo
A Publication of the Bluegrass Music Hall of Fame & Museum / Owensboro, KY
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Survey
  • New Releases
  • Online
  • Directories
  • Archives
  • About
  • Our History
  • Staff
  • Advertise
  • Contact
  • Subscriptions
Connect With Us
Facebook
Instagram
Twitter
YouTube
bluegrasshalloffame
tannerpublishing
tannerwest
Subscribe
Give as a Gift
Send a Story Idea

Copyright © 2025 Tanner Publishing Co. All Rights Reserved. Privacy Policy
Website by Tanner+West

Subscribe For Full Access

Digital Magazines are available to paid subscribers only. Subscribe now or log in for access.